{"id":722,"date":"2020-04-29T14:52:41","date_gmt":"2020-04-29T12:52:41","guid":{"rendered":"http:\/\/www.deison.net\/site\/?page_id=722"},"modified":"2020-04-29T14:54:59","modified_gmt":"2020-04-29T12:54:59","slug":"dead-man-and-a-skeleton-stag","status":"publish","type":"page","link":"https:\/\/www.deison.net\/index.php\/dead-man-and-a-skeleton-stag\/","title":{"rendered":"Dead Man And A Skeleton Stag"},"content":{"rendered":"\n<h2 class=\"has-text-align-right wp-block-heading\">ANATOMY<\/h2>\n\n\n\n<h4 class=\"has-text-align-right wp-block-heading\">(CD-R, Loud!, 2012)<\/h4>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"921\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a2811770022_10-1024x921.jpg\" alt=\"\" class=\"wp-image-103\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a2811770022_10-1024x921.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a2811770022_10-300x270.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a2811770022_10-768x691.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a2811770022_10.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>ANATOMY<\/figcaption><\/figure><\/div>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3707810819\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/deison.bandcamp.com\/album\/anatomy-dead-man-and-a-skeleton-stag\">Anatomy &#8211; Dead Man and a Skeleton Stag by Anatomy<\/a><\/iframe>\n\n\n\n<div id=\"wp-block-themeisle-blocks-slider-9ba440c1\" class=\"wp-block-themeisle-blocks-slider glide\" data-per-view=\"1\" data-gap=\"0\" data-peek=\"0\" data-autoplay=\"true\" data-height=\"400px\"><div class=\"glide__track\" data-glide-el=\"track\"><div class=\"glide__slides\"><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0000191896_10-1.jpg\" alt=\"\" title=\"\" data-id=\"726\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0000192206_10-1.jpg\" alt=\"\" title=\"\" data-id=\"727\"\/><\/figure><\/div><\/div><div class=\"glide__arrows\" data-glide-el=\"controls\"><button class=\"glide__arrow glide__arrow--left\" data-glide-dir=\"<\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"18\" height=\"18\" viewbox=\"0 0 100 100\" role=\"img\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M 10,50 L 60,100 L 70,90 L 30,50  L 70,10 L 60,0 Z\"><\/path><\/svg><\/button><button class=\"glide__arrow glide__arrow--right\" data-glide-dir=\"&gt;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"18\" height=\"18\" viewbox=\"0 0 100 100\" role=\"img\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M 10,50 L 60,100 L 70,90 L 30,50  L 70,10 L 60,0 Z\"><\/path><\/svg><\/button><\/div><div class=\"glide__bullets\" data-glide-el=\"controls[nav]\"><button class=\"glide__bullet\" data-glide-dir=\"=0\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=1\"><\/button><\/div><\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe title=\"ANATOMY, &quot;Ghost Cocktails Intro (Drone 11 Part A)&quot;\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Rd9cnjwhSPY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>1.Ghost Cocktails Intro (Drone 11 Section A)<br>2.Death In Omrav<br>3.Discipline With Morphine (Drone 11 Section B)<br>4.Life In Vam Ro<br>5.Embracing Elevolv (Slow Drone Amputee)<br>6.Hypomania III<\/p>\n\n\n\n<p>Anatomy (from the Greek \u1f00\u03bd\u03b1\u03c4\u03bf\u03bc\u03af\u03b1 anatomy from\u1f00\u03bd\u03b1\u03c4\u03ad\u03bc\u03bd\u03b5\u03b9\u03bd ana: separate, apart from, and temnein, to cut up, cut open).&nbsp;<\/p>\n\n\n\n<p>Anatomy is not a group that was founded, nor was formed: it existed as a physiological need by NOISE-d, who asked January 16th, 2012, to work to dANi\/ALvo with him to some drones he improvised. In 6 days, 6 songs were completed, giving in this way shape to their debut album &#8220;Dead Man And A Skeleton Stag&#8221;.&nbsp;<\/p>\n\n\n\n<p>The use of modified beatnik poetry (called &#8220;Captcha Poetry&#8221;) and the inaccurate and dirty dANi\/ALvo&#8217;s technics are opposed to the climax of the solid field recordings of NOISE.d, fitting perfectly into a running shriek, playing the cards of the bloody improvisation, of the sound of anxious nights, of the failure, rejecting the planification in its entirety in favour of a sound that shows a sidereal fresh, faceted, spoiled, convulsed and murky aspect in its crystallization.&nbsp;<\/p>\n\n\n\n<p>Anatomy exist every single time that their music is heard. Ghost Cocktails of post-muzak clangs.&nbsp;<\/p>\n\n\n\n<p>Anatomy exist in irruence. In surprise. In turmoil.<\/p>\n\n\n\n<p>All the tracks saw the light between January 19 and January 27, 2012.&nbsp;<br>No songwriting process was planned, no overdubs or repair.&nbsp;<br>All the tracks and concepts are created by&nbsp;<br>Noise-d. (Drones, Field Recordings, Processing) \u0003dANi\/ALvo (Captcha Poetry, Noise, Voice, Violin, Tablas).&nbsp;<br>Artwork design by Noise-d.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">DEAD MAN AND A SKELETON STAG SU INDUSTRIAL [R]EVOLUTION<\/h4>\n\n\n\n<p>Anatomy \u00e8 l&#8217;incontro tra due mondi oscuri e rumorosi. Anatomy \u00e8 Deison e Testing Vault che in sei giorni generano sei tracce difficili da dimenticare. O se preferite, Anatomy \u00e8 la scuola di NOISE-d, la sua visionaria sperimentazione, il suo costrutto ermetico di beat e droni a ripetizione, uniti alla bruma postapocalittica di dANI\/ALvo, alla sua lisergica poetica. Anatomy, Deison, Testing Vault, NOISE-d,\u00a0dANI\/ALvo: eccolo. Giusto per dare due coordinate.<br>Entriamo nella musica. Anzi, entriamo nel suono. Da &#8216;Ghost Cocktails Intro&#8217;, spettrale e minacciosa come una lama nel buio, il percorso di questo fortunato connubio si dipana in sei camere mortuarie in cui la condensazione della materia \u00e8 affidata all&#8217;osmosi di emozioni impiantate nel lato oscuro della corteccia cerebrale. Date a un&#8217;occhiata all&#8217;ottimo<a rel=\"noreferrer noopener\" href=\"http:\/\/youtu.be\/Rd9cnjwhSPY\" target=\"_blank\">video\u00a0<\/a>di questa track per capire in cosa vi state imbattendo. Anatomy \u00e8 tutto qui, e non \u00e8 poco: il clangore di civilt\u00e0 industriali ancora molto vicine, l&#8217;estinzione di ogni forma di vagheggiamento romantico, le pieghe dell&#8217;esistenza in cui si muovono gli incubi della paura. &#8216;Death In Omrav&#8217; non fa che accentuare i toni sabbiosi di composizioni sonore unte di grigio ghiaccio, generate dell&#8217;arte improvvisativa che i due geniali autori utilizzano con spiazzante ispirazione. &#8216;Embracing Elevolv&#8217; \u00e8 forse l&#8217;episodio pi\u00f9 evocativo, grazie ad un magistrale uso delle pause di silenzio, quasi impercettibili nel contrappunto con la restante dimensione evocata da Anatomy. L&#8217;ascolto \u00e8 un climax inarrestabile un&#8217;emorragia che non si ferma, un&#8217;esperienza da non perdere.Ascoltatelo\u00a0<a rel=\"noreferrer noopener\" href=\"http:\/\/deison.bandcamp.com\/album\/anatomy-dead-man-and-a-skeleton-stag\" target=\"_blank\">qui<\/a>, poi correte ad\u00a0<a rel=\"noreferrer noopener\" href=\"http:\/\/anatomymuzik.blogspot.it\/\" target=\"_blank\">ordinarlo<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">DEAD MAN AND A SKELETON STAG SU ROCKERILLA<\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"436\" height=\"640\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/Rockerila-Anatomy.jpg\" alt=\"\" class=\"wp-image-728\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/Rockerila-Anatomy.jpg 436w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/Rockerila-Anatomy-204x300.jpg 204w\" sizes=\"(max-width: 436px) 100vw, 436px\" \/><\/figure><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">DEAD MAN AND A SKELETON STAG SU <a href=\"http:\/\/anatomymuzik.blogspot.com\/2012\/07\/recensione-su-blow-up17071.html\">BLOW UP#170\/71<\/a><\/h4>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"332\" height=\"640\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/BU-Anatomy.jpg\" alt=\"\" class=\"wp-image-732\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/BU-Anatomy.jpg 332w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/BU-Anatomy-156x300.jpg 156w\" sizes=\"(max-width: 332px) 100vw, 332px\" \/><\/figure><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">DEAD MAN AND A SKELETON STAG ON KULTURTERRORISMUS<\/h4>\n\n\n\n<p>Kollaborationen von begnadeten Musikern wie&nbsp;<a href=\"http:\/\/kulturterrorismus.de\/rezensionen\/Anatomy\" target=\"_blank\" rel=\"noreferrer noopener\">Anatomy<\/a>, wohinter sich&nbsp;<a href=\"http:\/\/www.deison.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Deison<\/a>&nbsp;&amp;&nbsp;<a href=\"http:\/\/www.eafmcart.blogspot.it\/\" target=\"_blank\" rel=\"noreferrer noopener\">Testing Vault<\/a>&nbsp;verbergen, legen alleine durch ihr vorheriges Schaffen die Messlatte f\u00fcr \u201c<strong>Dead Man And A Skeleton Stag<\/strong>\u201d sehr hoch, die die Italiener aufgrund eines post-musikalischen Cocktails aus Industrial, Noise, Ambient\/ Drone &amp; Feldaufnahmen mit Leichtigkeit nehmen.\u201c<strong>Dead Man And A Skeleton Stag<\/strong>\u201d k\u00f6nnten von seinen Strukturen her auf diversen Labels wie Drone Records, Old Europa Cafe, Silken Tofu usw. erscheinen, aber Anatomy publizieren ihr Deb\u00fct in Eigenregie, das f\u00fcr \u201cschlankes\u201d Geld \u00fcber&nbsp;<a href=\"http:\/\/deison.bandcamp.com\/album\/anatomy-dead-man-and-a-skeleton-stag\" target=\"_blank\" rel=\"noreferrer noopener\">Bandcamp<\/a>&nbsp;Vermarktung findet.In der Anatomie betrachten wir Gestalt, Lage und Struktur von K\u00f6rperteilen, Organen, Gewebe oder Zellen, welche dANi\/ALvo &amp; Noise-d f\u00fcr ihre abgedrehten Betitlungen wie \u201cGeist Cocktails\u201d, \u201cDisziplin mit Morphin\u201d oder \u201cHypersexualit\u00e4t\u201d als vordergr\u00fcndige Grundlage diente. Tiefgr\u00fcndig basiert \u201c<strong>Dead Man And A Skeleton Stag<\/strong>\u201d auf Texten des amerikanischen Autors&nbsp;<a href=\"http:\/\/briandistelberg.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Brian J. Distelberg<\/a>,&nbsp; der Zeilen wie folgende verfasst: \u201c\u2026<em>Broken noses of three young boys were dripping blood on the ground, Surrounded by scared hostile girls, which are spreading the primitive sound of the primal scream dream, poverty is wht they worn, inside your skull camera, taking the film you are seeing the reality and replacing it with the bloody dark womb\u2019s immobility, eathatonic lies already from mouths, smiling, kicking and lossing their view, that what I like, sooo eosey, intoxicated gossips.<\/em>\u201d Wessen Herz die \u201cschr\u00e4gen\u201d Themen ber\u00fchren, sollte um \u201c<strong>Dead Man And A Skeleton Stag<\/strong>\u201d keinen Bogen machen!\u201c<strong>Dead Man And A Skeleton Stag<\/strong>\u201c, 6 Tracks im \u00dcbrigen, entstanden vom 19. bis 27. Januar 2012 ohne Planung, Songwriting oder Nachbearbeitung, das Freunde der Improvisationen freuen d\u00fcrfte, denen hier \u201cCapatcha Poetry\u201d, eine modifizierte Variante der Beatnik Poetry erwartet, wodurch die Strukturen der St\u00fccke teilweise wie mit Brotmaschine abgeschnitten wirken, dem Technikfreak und anspruchsvollen Musikkonsumenten ein Muss, hingegen f\u00fcr den Rest zu hoch, dem Violinenparts, Tablasrhythmen, verschiedenste Feldaufnahmen (inklusive mystischer Sprachsamples) und noisige Spielereien zur Akzentuierung garantiert zudem \u00fcberfordern. Wer im Segment Drone\/ Industrial die total eigenst\u00e4ndigen Werke sucht, muss \u201c<strong>Dead Man And A Skeleton Stag<\/strong>\u201d von<strong>Anatomy<\/strong>&nbsp;sein Eigen nennen, wovon jede Sekunde vollends einf\u00e4ngt wie \u00fcberzeugt!<strong>Fazit:<\/strong><strong>Individuen, deren Fokus auf post-musikalischen Meisterwerken liegt, sollten \u201cDead Man And A Skeleton Stag\u201d von Anatomy unbedingt antesten \u2013 meine absolute Empfehlung! PS: Neben der eindrucksvollen Eigenst\u00e4ndigkeit besticht \u201cDead Man And A Skeleton Stag\u201d ebenfalls durch die handwerkliche Klasse von dANi\/ALvo &amp; Noise-d, die zudem ein Gesp\u00fcr f\u00fcr dichte Sounds haben, welche direkt und langfristig ihren Bann ziehen \u2013 Wahnsinn!<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">DEAD MAN AND A SKELETON STAG SU THE NEW NOISE<\/h4>\n\n\n\n<p>Deison \u00e8 stato nei Meathead, ha co-fondato Final Muzik e ha collaborato con una pletora di artisti di area ambient, noise, industrial e sperimentale (Marhaug, KK Null), come si vede anche da Night Sessions (2011), nel quale compaiono&nbsp;<a href=\"http:\/\/www.thenewnoise.it\/tag\/teho-teardo\/\">Teho Teardo<\/a>&nbsp;(erano assieme nei Meathead), Scanner, Under The Snow e pure Testing Vault, che ha un disco sul catalogo Final Muzik. \u00c8 con lui che Deison forma Anatomy, un progetto che \u2013 leggiamo \u2013 ha dato vita a Dead Man And A Skeleton Stag in una settimana di sessioni d\u2019improvvisazione, non rimaneggiate in seguito. Forse \u00e8 per questo che viene da collegare il disco agli albori dei generi suonati dai due, vista l\u2019immediatezza dell\u2019insieme, anche se \u2013 buon segno \u2013 non vengono in mente riferimenti precisi. Deison ci mette drone e loop: il suo lavoro \u00e8 ora profondo ora ipnotico e alcune sequenze sono davvero taglienti e invasive come la cura di una malattia grave. Testing Vault cammina su questo terreno e interviene con violino (sofferente e quasi in contrasto con la ripetitivit\u00e0 asettica dell\u2019altro), voci (compresa la sua) e rumori disturbanti, oltre che con le tablas, purtroppo non ben amalgamate col resto. Forse c\u2019era da sfrondare ancora qualcosa, dovendo trovare difetti a un album che in generale ha il suo perch\u00e9.P.S.: Ormav e Vam Ro della tracklist devono essere anagrammi di Varmo, paese friulano che non vi verr\u00e0 voglia di visitare.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANATOMY (CD-R, Loud!, 2012) Anatomy &#8211; Dead Man and a Skeleton Stag by Anatomy 1.Ghost Cocktails Intro (Drone 11 Section A)2.Death In Omrav3.Discipline With Morphine (Drone 11 Section B)4.Life In Vam Ro5.Embracing Elevolv (Slow Drone Amputee)6.Hypomania III Anatomy (from the Greek \u1f00\u03bd\u03b1\u03c4\u03bf\u03bc\u03af\u03b1 anatomy from\u1f00\u03bd\u03b1\u03c4\u03ad\u03bc\u03bd\u03b5\u03b9\u03bd ana: separate, apart from, and temnein, to cut up, cut open).&nbsp;&hellip;&nbsp;<a href=\"https:\/\/www.deison.net\/index.php\/dead-man-and-a-skeleton-stag\/\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">Dead Man And A Skeleton Stag<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-722","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/comments?post=722"}],"version-history":[{"count":5,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/722\/revisions"}],"predecessor-version":[{"id":733,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/722\/revisions\/733"}],"wp:attachment":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/media?parent=722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}