{"id":403,"date":"2020-04-26T11:11:03","date_gmt":"2020-04-26T09:11:03","guid":{"rendered":"http:\/\/www.deison.net\/site\/?page_id=403"},"modified":"2022-12-12T20:43:37","modified_gmt":"2022-12-12T19:43:37","slug":"loud-radio-episodes-2020","status":"publish","type":"page","link":"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2020\/","title":{"rendered":"LOUD! RADIO EPISODES 2020"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:24.2%\">\n<h2 class=\"has-text-align-center wp-block-heading\"><a href=\"https:\/\/loudradio.wixsite.com\/loudradio\/copia-di-playlists\">2017<\/a><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center wp-block-heading\"><a href=\"https:\/\/loudradio.wixsite.com\/loudradio\/copia-di-playlists-1\">2018<\/a><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center wp-block-heading\"><a href=\"https:\/\/loudradio.wixsite.com\/loudradio\/copia-di-playlists-2\">2019<\/a><\/h2>\n\n\n\n<p class=\"has-text-align-right\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2021\/\" data-type=\"page\" data-id=\"896\" target=\"_blank\">2020<\/a>  |  <a rel=\"noreferrer noopener\" href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2021\/\" data-type=\"page\" data-id=\"896\" target=\"_blank\">2021<\/a> |  <a rel=\"noreferrer noopener\" href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2022\/\" target=\"_blank\">2022<\/a> |  <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2023\/\" data-type=\"page\">2023<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 67<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  RAIN, GHOSTS<\/mark>  10.12.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/LOUD67.jpg\" alt=\"\" class=\"wp-image-890 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/LOUD67.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/LOUD67-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/LOUD67-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/LOUD67-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>GIANMARIA APRILE<\/strong> &#8211; Part II (\u201cRain, Ghosts, One Dog and Empty Woodland\u201d, We Insist! Records LPWEIN10, 2020)<br><strong>GIANMARIA APRILE<\/strong> &#8211; Part III (\u201cRain, Ghosts, One Dog and Empty Woodland\u201d, We Insist! Records LPWEIN10, 2020)<br><strong>LJUDVAGG<\/strong> &#8211; Ackord (\u201cTransformation\u201d, Lamour Records\/Purlieu Recordings lamour109 \/ PEU020. 2020)<br><strong>MARTINA BERTONI<\/strong> &#8211; Music for Empty Flats (\u201dMusic For Empty Flats\u201d, Karlrecords, KR083, 2021)<br><strong>MAMIFFER<\/strong> &#8211; ))(( Mettapatterning for Constellation II (\u201cMettapatterning for Constellation, Sige Records, SIGE072, 2020)<br><strong>ALESSANDRO RAGAZZO<\/strong> &#8211; Paesaggio 02 (\u201cCinque Studi sul Paesaggio\u201d, Dissipatio Records, 2020)<br><strong>A\u0304ran\u0323yakA\u0194noiantAh\u0323karan\u0323A<\/strong> &#8211; The margin spread (\u201cA\u0304ran\u0323yakA\u0194noiantAh\u0323karan\u0323A\u201d, Family Sounds, 2020)<br><strong>THIS VALLEY OF OLD MOUNTAINS<\/strong> &#8211; Vist (\u201dThis Valley Of Old Mountains\u201d, 12K, 1091, 2020)<br><strong>MATS ERLANDSSON<\/strong> &#8211; Vilja (\u201cMinnesma\u0308rke\u201d, Hallow Ground, HG2008,2020)<\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-10-dicembre-2020\" data-resource=\"episode_id=42430425\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_10 dicembre_2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 66<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  THE SOARING<\/mark>  26.11.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD66.jpg\" alt=\"\" class=\"wp-image-873 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD66.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD66-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD66-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD66-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>DANIEL MENCHE<\/strong> &#8211; The Soaring (\u201cThe Soaring\u201d, SIGE 90, 2020)<br><strong>WILLIAM BASINSKY<\/strong> &#8211; O, My Daughter, O, My Sorrow (\u201cLamentations\u201d, Temporary Residence TRR343, 2020)<br><strong>WILLIAM BASINSKY<\/strong> &#8211; Silent Spring (\u201cLamentations\u201d, Temporary Residence TRR343, 2020)<br><strong>WILLIAM BASINSKY<\/strong> &#8211; Transfiguration (\u201cLamentations\u201d, Temporary Residence TRR343, 2020)<br><strong>WILLIAM BASINSKY<\/strong> &#8211; Passio (\u201cLamentations\u201d, Temporary Residence TRR343, 2020)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-26-novembre-2020_1\" data-resource=\"episode_id=42295151\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_26 novembre 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 65<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  ZOVIET*FRANCE<\/mark>  12.11.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD65.jpg\" alt=\"\" class=\"wp-image-854 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD65.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD65-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD65-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/LOUD65-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>:<strong>Zoviet * France:<\/strong> &#8211; Come to the edge (\u201cShouting at the ground\u201d, Charrm \u200e\u2013 CHARRMLP12, 1988)<br>:<strong>Zoviet * France:<\/strong> &#8211; Thin Air (\u201cShadow, Thief of the Sun\u201d,DOVe \u200e\u2013 DOVeCD66, 1990)<br>:<strong>Zoviet * France:<\/strong> &#8211; Static Fields (\u201cShadow, Thief of the Sun\u201d,DOVe \u200e\u2013 DOVeCD66, 1990)<br>:<strong>Zoviet * France:<\/strong> &#8211; Ascend A Fall (\u201cJust An Illusion\u201dStaaltape \u200e\u2013 STCD005, 1990)<br>:<strong>Zoviet * France:<\/strong> &#8211; Cair Camouflet (\u201cLook Into Me\u201d, Charrm \u200e\u2013 CHARRMLP14, 1990)<br>:<strong>Zoviet * France:<\/strong> &#8211; Publis Service Announcement (\u201cWhat Is Not True\u201d Charrm \u200e\u2013 CHARRMCD17, 1993)<br>:<strong>Zoviet * France:<\/strong> &#8211; Deekintaemae (\u201cLook Into Me\u201d,Charrm \u200e\u2013 CHARRMLP14, 1990)<br>:<strong>Zoviet * France:<\/strong> &#8211; Fugitive (\u201cCollusion\u201d,The Grey Area \u200e\u2013 SION 1, 1992)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-12-novembre-2020\" data-resource=\"episode_id=41955004\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_12 novembre 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 64<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  OBSERVANCE<\/mark> 29.10.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/10\/LOUD64.jpg\" alt=\"\" class=\"wp-image-846 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/10\/LOUD64.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/10\/LOUD64-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/10\/LOUD64-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/10\/LOUD64-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>7697 MILES<\/strong> &#8211; Ninayay (\u201cIskay\u201d, Buh Records BR118, 2020)<br><strong>SCAPULAR<\/strong> &#8211; Skyglow (\u201cDevotional\u201d, Silentes, 2020)<br><strong>SIAVASH AMINI<\/strong> &#8211; Observance (Shadow) (\u201cA Mimesis of Nothingness\u201d,Hallow Ground HG2006, 2020)<br><strong>EUGENE UGHETTI <\/strong>&#8211; Hypnagogic (\u201cAgglomeration Of Measurement\u201d, Room40 RM4126, 2020)<br><strong>TWINKLE3<\/strong> &#8211; Zizuyu 26946 (\u201cMinor Planets&#8221;, Marionette M14, 2020)<br><strong>HILARY WOODS<\/strong> &#8211; Mud And Stones (\u201cBirthmarks\u201d, 2020)<br><strong>MATMOS<\/strong> &#8211; Io! Lavendar River Karez (\u201cThe Consuming Flame-Open Exercises in Group Form\u201d, Thrill Jockey, 2020)<br><strong>KTL<\/strong> &#8211; Tea With Kali (\u201cVII\u201d, Editions Mego EMEGO287, 2020)<br><strong>ROBERT MILLIS<\/strong> &#8211; Samsara (\u201cRelated Ephemera\u201d, The Helen Scarsdale Agency HMS055, 2020)<br><strong>AI ASO<\/strong> &#8211; Scene (\u201cThe Faintest Hint\u201d, Ideologic Organ SOMA034, 2020)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-22-ottobre-2020\" data-resource=\"episode_id=41714387\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_22 ottobre 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 63<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  LAND OF WAVES<\/mark> 25.06.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD63.jpg\" alt=\"\" class=\"wp-image-819 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD63.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD63-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD63-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD63-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>BERANGERE MAXIM<\/strong> &#8211; Day 41 Sonic Drawing Diary (\u201dLand Of Waves\u201d, Karlrecords KR078, 2020)<br><strong>K\u0152NIG<\/strong> &#8211; Eyeball (\u201cMessing\u201d, Ventil Records V_015\u201d, 2020)<br><strong>K\u0152NIG<\/strong> &#8211; Chop Zd (\u201cMessing\u201d, Ventil Records V_015\u201d, 2020)<br><strong>K\u0152NIG<\/strong> &#8211; Figure 8 (\u201cMessing\u201d, Ventil Records V_015\u201d, 2020)<br><strong>CHRA<\/strong> &#8211; Colonia Marina Serenella (\u201cSeamons\u201d, Editions Mego EMEGO285, 2020)<br><strong>CHRA<\/strong> &#8211; Cast(o)ro (\u201cSeamons\u201d, Editions Mego, EMEGO285, 2020)<br><strong>FAUSTO ROMITELLI<\/strong> &#8211; Hellucination 1:Drowningirl (\u201cAn index of metals\u201d, Cypres \u200e\u2013 CYP5622, 2006)<br><strong>KEVIN RICHARD MARTIN<\/strong> &#8211; Feedback Cycle 6 &#8211; The Void (\u201cFrequencies for Leaving Earth &#8211; Vol\u200b.\u200b 2\u201d, 2020)<br><strong>THOMAS BRINKMAN<\/strong> &#8211; 0111 (\u201cKlick\u201d, Max Ernst \u200e\u2013 max.E.- CD1, 2000)<br><strong>ASMUS TIETCHENS<\/strong> &#8211; Die Nacht Aus Blei II (\u201cDie Nacht Aus Blei\u201d, Walter Ulbricht Schallfolien \u200e\u2013 WULP 017, 1994)<br><strong>JAMES WYNESS<\/strong> &#8211; The Hearth (\u201cObjects Wrapped In Objects Wrapped In Objects\u201d, ta\u00e2lem \u200e\u2013 alm 105,2014 )<br><strong>RICARDO MANDOLINI<\/strong> &#8211; Cancion De Madera Y Agua (\u201cElektroakoustische Musik\u201d, Edition RZ \u200e\u2013 ERZ 1, 1982)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-25-giugno-2020\" data-resource=\"episode_id=33575309\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_25 giugno 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 62<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  THE UNSEEN<\/mark> 11.06.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD62-1.jpg\" alt=\"\" class=\"wp-image-810 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD62-1.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD62-1-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD62-1-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/06\/LOUD62-1-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>SUSAN ALCORN<\/strong> &#8211; The Royal Road (\u201cThe Heart Sutra (Arranged by Janel Leppin),Ideologic Organ SOMA038, 2020)<br><strong>POLWECHSEL &amp; KLAUS LANG<\/strong> &#8211; Easter Wings (\u201cUnseen\u201d,HatHut ezz-thetics 1016, 2020)<br><strong>THE TRANSCENDENCE ORCHESTRA<\/strong> &#8211; 01 It\u2019s better to experience things than to conquer them (\u201cFeeling The Spirit\u201d, Editions Mego EMEGO282, 2020)<br><strong>BAD SECTOR<\/strong> &#8211; 1973-10-22t163819+0100 &#8211; Trees (\u201cChronoland\u201d, Power &amp; Steel \u200e\u2013 PAS 30, 2011)<br><strong>RICHARD CHARTIER<\/strong> &#8211; Removed 2 (\u201cRemoved\u201d,Ash International \u200e\u2013 Ash 12.3, 2017)<br><strong>PHURPA<\/strong> &#8211; 04 02.3 (\u201cHymns of Gyer\u201d, Ideologic Organ SOMA037, 2020)<br><strong>ENRICO CONIGLIO<\/strong> &#8211; Frai\u0300ma (\u201cTeredo Navalis\u201d, Gruenrekorder, Gruen188, 2020)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-11-giugno-2020\" data-resource=\"episode_id=30390900\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_11 giugno 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 61<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  TRACES\/DRONES<\/mark> 28.05.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD61.jpg\" alt=\"\" class=\"wp-image-806 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD61.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD61-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD61-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD61-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>YANNIS KYRIAKIDES &amp; ANDY MOOR<\/strong>&nbsp;&#8211; Dedalo (\u201cPavilion\u201d, Unsounds 65U, 2020)<br><strong>YANNIS KYRIAKIDES &amp; ANDY MOOR<\/strong>&nbsp;&#8211; Dedalo (\u201cPavilion\u201d, Unsounds 65U, 2020)<br><strong>FRANCE JOBIN<\/strong>&nbsp;&#8211; Inertia (\u201cDeath is perfection, everything else is relative\u201d, Editions Mego EMEGO276, 2020)<br><strong>CUCINA POVERA &amp; ELS<\/strong>&nbsp;&#8211; Mantle (\u201cThe Oystercatcher\u201d , Editions Mego EMEGO284, 2020)<br><strong>CHRISTIAN KOB<\/strong>I &#8211; Cathedral &#8211; (\u201cCathedral\u201d, Buh Records BR136, 2020)<br><strong>MATS GUSTAFSSON \/ DAVID STACKENAS<\/strong>&nbsp;&#8211; &nbsp;Shave &#8216;em wet (to memphis minnie)(\u201cBlues\u201d, Atavistic \u200e\u2013 ALP163CD, 2005)<br><strong>BESTATTUNGSINSTITUT<\/strong>&nbsp;&#8211; Tape 2B (\u201cGlandular Formations (1988-1990)\u201d, Verlag System VS020, 2020)<br><strong>ALVA NOTO<\/strong>&nbsp;&#8211; A Forest (\u201cA forest\u201d, Noton \u200e\u2013 N-048, 2020)<br><strong>ROBERT RICH<\/strong>&nbsp;&#8211; Seascape (\u201cTrances \/ Drones\u201d, Release Entertainment \u200e\u2013 RR 6455-2, 2000)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-28-maggio-2020\" data-resource=\"episode_id=28520733\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_28 maggio 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 60<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  THE ART OF LOSING<\/mark> 14.05.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-2.jpg\" alt=\"\" class=\"wp-image-799 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-2.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-2-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-2-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-2-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>HINTERWELT<\/strong> &#8211; Zeitgeist (\u201cIn Silico\u201d, Audiotrauma TRAUMA060,2020)<br><strong>CLIPPING<\/strong> &#8211; He dead (feat. ed balloon) (\u201cThere Existed An Addiction To Blood\u201d, Sub Pop \u200e\u2013 SP1330, 2019)<br><strong>TETEMA<\/strong> &#8211; Dead Still (\u201cNecroscape\u201d, Ipecac Recordings \u200e\u2013 IPC219CD, 2020)<br><strong>PASCAL COMELADE &amp; MARC HURTADO<\/strong> &#8211; Infini (\u201cLarme Secrete\u201d, CD\/DL Klanggalerie gg334, 2020)<br><strong>HUMAN IMPACT<\/strong> &#8211; E605 (\u201cHuman Impact\u201d, Ipecac Recordings \u200e\u2013 IPC-215, 2020)<br><strong>LEE RANALDO &amp; RAUL REFREE<\/strong> &#8211; The Art of Losing (\u201cNames of North End Women\u201d, Mute \u200e\u2013 MUT 9933-2, 2020)<br><strong>EINST\u00dcRZENDE NEUBAUTEN<\/strong> &#8211; Ten Grand Goldie (\u201cAlles in Allem\u201d, PotomaK, 2020)<br><strong>FM EINHEIT &amp; ANDREAS AMMER<\/strong> &#8211; Order 04 (\u201cHammerschlag\u201d, Cold Spring, CSR281CD, 2020)<br><strong>ALEXANDER HACKE &amp; DANIELLE DE PICCIOTTO<\/strong> &#8211; The Seventh Day (\u201cThe Current\u201d, Potomak \u200e\u2013 CD 181362, 2020)<br><strong>SWANS<\/strong> &#8211; The Nub (\u201cLeaving Meaning\u201d , Young God Records \u200e\u2013 YG63, 2019)<br><strong>EYVIND KANG<\/strong> &#8211; Time Medicine (\u201cAjaeng Ajaeng\u201d, Ideologic Organ SOMA039, 2020)<br><strong>MINAMO &amp; MOSKITOO<\/strong> &#8211; Palm Fable (\u201dSuperstition\u201d, 12K 2045, 2020)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-14-maggio-2020\" data-resource=\"episode_id=27311645\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;Loud_14_maggio 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 59<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  THE CURRENT INSIDE<\/mark> 30.04.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60.jpg\" alt=\"\" class=\"wp-image-794 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/05\/LOUD60-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>LAWRENCE ENGLISH<\/strong>&nbsp;&#8211; Saccade (For Eliane Radigue)(\u201cLassitude\u201d, Room40 RM401, 2020)<\/p>\n\n\n\n<p><strong>JOHN CHANTLER&nbsp;&nbsp;&amp;&nbsp;LUND JOHANNES<\/strong>&nbsp;&#8211; Under Barn Floor (\u201cAndersabo\u201d, Editions Mego EMEGO272, 2020)<\/p>\n\n\n\n<p><strong>KASSEL JAEGER&nbsp;&amp;&nbsp;JIM O&#8217;ROURKE<\/strong>&nbsp;&#8211; In Cobalt Aura Sleeps 1(\u201cIn Cobalt Aura Sleeps\u201d, Editions Mego EMEGO272, 2020)<\/p>\n\n\n\n<p><strong>STEPHEN O&#8217;MALLEY<\/strong>&nbsp;&#8211; G\u00e9ante 4 (4 layer mix) (\u201cG\u00e9ante 4 (Performed by Eye Music)\u201d ,Ideologic Organ SOMA036, 2020)&nbsp;<\/p>\n\n\n\n<p><strong>MARJA AHTI<\/strong>&nbsp;&#8211; The Altitudes (\u201cThe Current Inside\u201d, Hallow Ground HG2004, 2020)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-30-aprile-2020\" data-resource=\"episode_id=26745811\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_30 aprile 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 58<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\">  FROZEN DUST<\/mark> 16.04.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD59.jpg\" alt=\"\" class=\"wp-image-396 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD59.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD59-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD59-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD59-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>CLARICE JENSEN<\/strong>&nbsp;\u2013 Metastable (\u201cThe Experience Of Repetition As Death\u201d,FatCat Records LP13-39, 2020)<br><strong>NINE INCH NAILS<\/strong>&nbsp;\u2013 Together (\u201cGhosts V &nbsp;Together\u201d, NIN \u2013 Halo 33, 2020)<br><strong>DIE ANGEL<\/strong>&nbsp;\u2013 Epikouros (\u201cUtopien I \u201c, Karlrecords KR077, 2020)<br><strong>TALKING BOOK<\/strong>&nbsp;\u2013 Blood Aurora (\u201cTalking Book II\u201d, Koolarrow Records KACA042, 2020)<br><strong>TALKING BOOK<\/strong>&nbsp;\u2013 Thermal Drift (\u201cTalking Book II\u201d, Koolarrow Records KACA042, 2020)<br><strong>ROSS DOWNES<\/strong>&nbsp;\u2013 Waking Pareidolia (\u201cStacked Up At Zero\u201d, Trestle Records TR39, 2020)<br><strong>JAN WAGNER<\/strong>&nbsp;\u2013 Kapitel 36 (\u201cKapitel, Quiet Love Records QLR009, 2020)<br><strong>JACASZEK<\/strong>&nbsp;\u2013 The Iron Bridge (\u201cMusic For Film\u201d ,Ghostly International GI-357, 2020)<br><strong>STEPHEN O\u2019MALLEY &amp; ANTONY PATERAS<\/strong>&nbsp;\u2013 R\u00eave noir [ii](\u201cR\u00eave noir\u201d, Immediata \u200e\u2013 IMM013, 2018)&nbsp;<br><strong>TERUYUKI KURIHARA<\/strong>&nbsp;\u2013 Blurry Wind (\u201cFrozen Dust\u201d,Mille Plateaux MP4, 2020)<br><strong>LEE RANALDO &amp; RAUL REFREE&nbsp;<\/strong>\u2013 At The Forks (\u201cNames of North End Women\u201d ,Mute \u200e\u2013 STUMM445, 2020)<br><strong>JOKE LANZ &amp; JONAS KOCHER<\/strong>&nbsp;\u2013 R\u00eave de Clarinette (\u201cAbstract Musette\u201d,Corvo Records core018, 2020)<br><strong>CCC CNC NCN<\/strong>&nbsp;\u2013 Radio Buonasera (\u201cRafting Sonoro\u201d, R\u2019umore nero Records, 2020012020)<br><strong>CCC CNC NCN<\/strong>&nbsp;&nbsp;Radio Eiar (\u201cRafting Sonoro\u201d, R\u2019umore nero Records, 2020012020)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src=\"https:\/\/widget.spreaker.com\/player?episode_id=25631929&amp;theme=dark&amp;autoplay=false&amp;playlist=false\" width=\"100%\" height=\"200px\" frameborder=\"0\"><\/iframe>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 57 <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> NOTES FROM UNDERGROUND<\/mark> 02.04.2020<\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD58.jpg\" alt=\"\" class=\"wp-image-412 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD58.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD58-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD58-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD58-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>KALI MALONE<\/strong> &#8211; Cast of Mind (\u201cCast Of Mind\u201d, Hallow Ground, HG1803, 2018)<br><strong>MARTYN BATES \/ M.J. HARRIS<\/strong> &#8211; The Death of Polly (\u201cMurder Ballads (Drift)\u201d,eee 26, 1994)<br><strong>GOLEM MECANIQUE<\/strong> &#8211; Side B (\u201cNona, Decima et Morta\u201d, Ideologic Organ \u200e\u2013 SOMA033, 2020)<br><strong>HILARY WOODS<\/strong> &#8211; Lay Bare (\u201cBirthmarks\u201d,Sacred Bones Records \u200e\u2013 SBR245CD, 2020)<br><strong>SEMA<\/strong> &#8211; Concrete And The Klee (\u201cNotes From Underground\u201d, Le Rey Records \u200e\u2013 LR04, 1982)<br><strong>TEHO TEARDO<\/strong> &#8211; Ellipses dans l\u2019Harmonie (\u201cEllipses dans l\u2019Harmonie &#8211; Lumi al buio\u201d, Specula, 2020)<br><strong>GIULIO ALDINUCCI<\/strong> &#8211; Every Forgotten Word (\u201cShards Of Distant Times\u201d, Karlrecords KR076, 2020)<br><strong>bvdub<\/strong> &#8211; Not Yours to Break (\u201cTen Times the world lied\u201d, Glacial Movements,GM041, 2020)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-02-aprile-2020\" data-resource=\"episode_id=24769564\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_02 aprile 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 56<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f99704\" class=\"has-inline-color\"> PERCEPTION IS THE ONLY REALITY <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">19.03.2020<\/mark><\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57genesis.jpg\" alt=\"\" class=\"wp-image-417 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57genesis.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57genesis-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57genesis-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57genesis-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>THROBBING GRISTLE<\/strong> &#8211; Industrial Introduction (\u201cThe Second Annual Report\u201d, Industrial Records \u200e\u2013 IR0002, 1977)<br><strong>THROBBING GRISTLE<\/strong> &#8211; Maggot Death (\u201cThe Second Annual Report\u201d, Industrial Records \u200e\u2013 IR0002, 1977)<br><strong>THROBBING GRISTLE<\/strong> &#8211; 20 Jazz Funk Greats (\u201c20 Jazz Funk Greats\u201d, Industrial Records \u200e\u2013 IR0008, 1979)<br><strong>THROBBING GRISTLE<\/strong> &#8211; Convincing People (\u201c20 Jazz Funk Greats\u201d, Industrial Records \u200e\u2013 IR0008, 1979)<br><strong>THROBBING GRISTLE<\/strong> &#8211; I.B.M. (\u201cD.O.A.The Third and Final Report\u201d,Industrial Records \u200e\u2013 IR0004, 1978)<br><strong>THROBBING GRISTLE<\/strong> &#8211; Hamburger Lady (\u201cD.O.A. The Third and Final Report\u201d,Industrial Records \u200e\u2013 IR0004, 1978)<br><strong>THROBBING GRISTLE<\/strong> &#8211; Five Knuckle Shuffle (\u201cD.O.A.The Third and Final Report\u201d,Industrial Records \u200e\u2013 IR0004, 1978)<br><strong>PSYCHIC TV<\/strong> &#8211; Ancient lights (\u201cDreams Less Sweet\u201d, Some Bizzare \u200e\u2013 CBS 25737, 1983)<br><strong>PSYCHIC TV<\/strong> &#8211; Silver and gold (\u201cDreams Less Sweet\u201d, Some Bizzare \u200e\u2013 CBS 25737, 1983)<br><strong>PSYCHIC TV<\/strong> &#8211; Terminus (\u201cForce The Hand Of Chance\u201d, Some Bizzare \u200e\u2013 PSY1, 1982)<br><strong>THROBBING GRISTLE<\/strong> &#8211; Rabbit snare (\u201cPart two &#8211; The endless not\u201d, Mute \u200e\u2013 TGLP16, 2007)<br><strong>THROBBING GRISTLE<\/strong> &#8211; Almost a kiss (\u201cPart two &#8211; The endless not\u201d, Mute \u200e\u2013 TGLP16, 2007)<br><strong>THROBBING GRISTLE<\/strong> &#8211; The Man From Nowhere (\u201cThe third mind movements\u201d, Industrial Records \u200e\u2013 IR, 2009)<br><strong>PSYCHIC TV \/ PTV3<\/strong> &#8211; In Thee Body &#8211; (\u201cHell Is Invisible\u2026Heaven Is Her\/e\u201d,Sweet Nothing Records \u200e\u2013 SNLP049, 2007)<br><strong>CARESSE &amp; SICKMOB <\/strong>\u200e\u2013 R.U. Xperienced? (\u201cR.U. Xperienced?\u201d, Temple Records \u200e\u2013 TOPY 044, 1989)<br><strong>GENESIS P-ORRIDGE &amp; CARL ABRAHAMSSON<\/strong> &#8211; Interdimensional Travels (\u201cLoyalty Does Not End With Death\u201d, iDEAL Recordings \u200e\u2013 iDEAL187, 2019)<\/p>\n<\/div><\/div>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-19-marzo-2020\" data-resource=\"episode_id=24085332\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_19 marzo 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 55<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f99704\" class=\"has-inline-color\"> MAP OF GUILT <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">05.03.2020<\/mark><\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57.jpg\" alt=\"\" class=\"wp-image-419 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>LAURENT PERRIER \/ DAVID FENECH<\/strong> &#8211; Plateforme 3.1 (\u201cPlateforme #3\u201d,Bam Balam Records BBLP069, 2020)<br><strong>WERNER DAFELDECKER<\/strong> &#8211; Parallel Dark I (\u201cParallel Darks\u201d, Room40 RM447, 2020)<br><strong>JAC BERROCAL\/DAVID FENECH\/VINCENT EPPLAY<\/strong> &#8211; Opportunity (\u201cIce Exposure\u201d, Klanggalerie gg326, 2020)<br><strong>JAC BERROCAL\/DAVID FENECH\/VINCENT EPPLAY<\/strong> &#8211; Car Havana Midi (\u201cIce Exposure\u201d, Klanggalerie gg326, 2020)<br><strong>JAC BERROCAL\/DAVID FENECH\/VINCENT EPPLAY<\/strong> &#8211; Equivoque (\u201cIce Exposure\u201d, Klanggalerie gg326, 2020)<br><strong>PHILIPPE PETIT <\/strong>&#8211; The Journey (\u201cDo Humans Dream Of Electronic Ships\u201d, Opa Loka Records OL1905, 2020)<br><strong>MICHAEL GRIGONI &amp; STEPHEN VITIELLO<\/strong> &#8211; Sheridan, WY (\u201cSlow Machines\u201d, 12K 12K2044, 2020)<br><strong>DAVID SHEA<\/strong> &#8211; Red Jade (\u201cThe Tower of Mirrors\u201d, Sub Rosa SRV94, 2020)<br><strong>DAVID SHEA<\/strong> &#8211; Entering (\u201cThe Tower of Mirrors\u201d, Sub Rosa SRV94, 2020)<br><strong>DAVID SHEA<\/strong> &#8211; The Tower (\u201cThe Tower of Mirrors\u201d, Sub Rosa SRV94, 2020)<br><strong>MATS GUSTAFSSON &amp; JOACHIM NORDWALL<\/strong> &#8211; A Map of Guilt (\u201cA Map of Guilt\u201d, Bocian Records \u200e\u2013 BC GUN, 2017)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-05-marzo-2020\" data-resource=\"episode_id=23541620\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;Loud_05 marzo 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 54<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f99704\" class=\"has-inline-color\"> NOTHINGNESS <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">20.02.2020<\/mark><\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57.jpg\" alt=\"\" class=\"wp-image-419 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD57-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>ELECTRIC SEWER AGE<\/strong> &#8211; Chebo (\u201cContemplating Nothingness\u201d,Old Europa Cafe \u200e\u2013 OECD 272, 2019)<br><strong>COIL<\/strong> &#8211; Nasa-Arab (\u201cStolen &amp; Contaminated Songs\u201d, Threshold House \u200e\u2013 LOCI CD4B, 1992)<br><strong>TWO LONE SWORDMEN<\/strong> &#8211; Spine Bubbles (\u201cStay down\u201d, Warp Records \u200e\u2013 7243 8467892 0, 1998)<br><strong>TWO LONE SWORDMEN<\/strong> &#8211; Hope we never surface (\u201cStay down\u201d, Warp Records \u200e\u2013 7243 8467892 0, 1998)<br><strong>TRENT REZNOR &amp; ATTICUS ROSS<\/strong> &#8211; A Traveller from an antique Land (\u201cWatchmen\u201d, OST,The Null Corporation \u200e\u2013 NULL 10v3, 2019)<br><strong>RUSSELL MILLS<\/strong> &#8211; How safe is deep (\u201cStrange familiar\u201d,Bella Union \u200e\u2013 BELLACD 21, 2000)<br><strong>GUDRUN GUT<\/strong> &#8211; Startup loch (\u201cMoment\u201d, Monika Enterprise \u200e\u2013 Monika93CD, 2018)<br><strong>KIM GORDON<\/strong> &#8211; Don&#8217;t Play It (\u201cNo Home Record\u201d, Matador \u200e\u2013 OLE-1379-2, 2019)<br><strong>MARK LANEGAN BAND<\/strong> &#8211; Two bells ringing at once (\u201cSomebody&#8217;s knocking\u201d, Heavenly- HVNLP166CD, 2019)<br><strong>BEATE BARTEL<\/strong> &#8211; Shells and bells (\u201cInstrumentals For Sirens\u201d, Moabit Musik \u200e\u2013 moa20lp, 2017)<br><strong>THE BUG &amp; EARTH<\/strong> &#8211; Dog (\u201cConcrete Desert\u201d, Ninja Tune \u200e\u2013 ZENCD239, 2017)<br><strong>SCORN<\/strong> &#8211; SA70 (\u201cCaf\u00e9 Mor\u201d, Ohm Resistance \u200e\u2013 52M OHM, 2019)<br><strong>TELEFON TEL AVIV<\/strong> &#8211; Not seeing,(\u201cDreams Are Not Enough\u201d, Ghostly International-GI-343,2019)<br><strong>ZONAL<\/strong> &#8211; Wrecked Debris (\u201cWrecked\u201d, Relapse Records \u200e\u2013 RR7439, 2019)<br><strong>ALVA NOTO\/RYUICHI SAKAMOTO<\/strong> &#8211; The Revenant Theme (\u201cTwo (Live At Sydney Opera House)\u201d, Noton \u200e\u2013 N-046, 2019)<\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-20-febbraio-2020\" data-resource=\"episode_id=23020044\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;Loud_20 febbraio 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 53<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f99704\" class=\"has-inline-color\"> VIEUX SILENCE <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">06.02.2020<\/mark><\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD56.jpg\" alt=\"\" class=\"wp-image-423 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD56.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD56-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD56-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD56-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>LOUVEL OLIVIA<\/strong> &#8211; Studio (\u201cSculptOr\u201d, Cat Werk Imprint CW14, 2020)<br><strong>JAN VILLEM TROOST &amp; HENRY VEGA<\/strong> &#8211; Nine Volt Motion (\u201cNinevolt\u201d, Arteksounds ART006, 2020)<br><strong>THOMAS KONER<\/strong> &#8211; Expression (\u201cMotus\u201d, Mille Plateaux MP6, 2020)<br><strong>ABUL MOGARD<\/strong> &#8211; The Goldfinch Rises (\u201cKimberlin &#8211; Music From The Film By Duncan Whitley\u201d, Ecstatic \u200e\u2013 ELP049, 2019)<br><strong>DASPO<\/strong> &#8211; Schiphol (\u201cSamenreis\u201d, Setola Di Maiale SM4020, 2020)<br><strong>ELODIE<\/strong>&#8211; La Nuit Voil\u00e9e (\u201cVieux Silence\u201d, Ideologic Organ \u200e\u2013 SOMA027, 2017)<br><strong>JOE COLLEY<\/strong> &#8211; Psychic stress (\u201cSoundtracks Future Screaming\u201d, Misantropic Agenda \u200e\u2013 MAR053, 2020)<br><strong>BOHREN &amp; DER CLUB OF GORE<\/strong> &#8211; Patchouli Blue (\u201cPatchouli Blue\u201d, Ipecac Recordings \u200e\u2013 IPC-218CD, 2020)<br><strong>ENSEMBLE PEARL<\/strong> &#8211; Wray (\u201cEnsemble Pearl\u201d, Drag City \u200e\u2013 DC544CD, 2013)<br><strong>ULF IVARSSON<\/strong> &#8211; Sanity (Prelude) (\u201cLower Zone\u201d, Lamour Records, lamour086, 2020)<br><strong>TREPANERINGSRITUALEN<\/strong> &#8211; \u16c9 (\u201c\u16c9\u16e6 \u2013 Algir; Eller Algir I Merkstave\u201d, Cold Spring \u200e\u2013 CSR275CD, 2019)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-06-febbraio-2020\" data-resource=\"episode_id=22507241\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;Loud_06 febbraio 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 52<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f99704\" class=\"has-inline-color\"> UNTIL THE END OF ALL <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">23.01.2020<\/mark><\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD55.jpg\" alt=\"\" class=\"wp-image-425 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD55.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD55-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD55-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD55-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>ALEXANDER HACKE &amp; DANIELLE DE PICCIOTTO<\/strong> &#8211; \u201cDefiance\u201d (\u201dThe Current\u201d, Potomak, 2020)<br><strong>AIDAN BAKER &amp; GARETH DAVIS<\/strong> &#8211; Eyes (\u201cInvisible Cities II\u201c, Karlrecords KR073 2020)<br><strong>AARON TURNER<\/strong> &#8211; Attar Datura (\u201cRepression Blossom\u201c, SIGE Records SIGE70, 2019)<br><strong>TRANSTILLA<\/strong> &#8211; Achrome (\u201cTranstilla II\u201d, Midira Records \u200e\u2013 MD 073, 2019)<br><strong>VOX POPULI!<\/strong> &#8211; Be Hedayat I (\u201cMyscitismes\u201d, Vox Man Records \u200e\u2013 VOX &amp; MAN 2, 1985)<br><strong>VIDNA OBMANA &amp; ASMUS TIETCHENS<\/strong> &#8211; T3 S 1 5 (\u201cThe Shifts Recyclings\u201d, Soleilmoon Recordings \u200e\u2013 SOL 116 CD, 2002)<br><strong>LINE SPECTRUM<\/strong> &#8211; Ways (\u201cBruma\u201d, Glacial Movements Records \u200e\u2013 GM038, 2019)<br><strong>JAMES WYNESS<\/strong> &#8211; Stirring Space With A Timestick (\u201cStirring Space with a Timestick\u201d, Jumblesticks Records \u200e\u2013 001, 2018)<br><strong>KEVIN RICHARD MARTIN<\/strong> &#8211; Life threatening operation 2 (\u201cSirens\u201d, Room40 \u200e\u2013 RM4103, 2019)<br><strong>CHIHEI HATAKEYAMA<\/strong> &#8211; Cherry blossom petals fall like heavy snow (\u201cForgotten Hill\u201d,Room40 RM4111, 2019)<br><strong>GIANLUCA BECUZZI<\/strong> &#8211; Until The End Of All (\u201dThe Bunker Years (2006\/2014), St.An.Da. \u200e\u2013 1917, 2019)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-23-gennaio-2020\" data-resource=\"episode_id=22012332\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_23 gennaio 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 51<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f99704\" class=\"has-inline-color\"> WE ALL DISAPPEAR <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">09.01.2020<\/mark><\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD54.jpg\" alt=\"\" class=\"wp-image-426 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD54.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD54-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD54-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/LOUD54-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>GRI \/ GUTMAN\/ MOSCONI<\/strong> &#8211; Grecale (\u201dUncoded Winds Below The Waves\u201d, Midira Records, MD068, 2019)<br><strong>YANN NOVAK<\/strong> &#8211; We All Disappear (\u201cSlowly Dismanting\u201d, Room 40, RM4112, 2019)<br><strong>OPEN TO THE SEA<\/strong> &#8211; Another Year Is Over, Let&#8217;s Wait for Springtime (\u201cAnother Year Is Over\u201d, Midira Records MD080, 2019)<br><strong>DRONE<\/strong> &#8211; Vitula (\u201cThe Stilling\u201d, Pomperipossa Records, PRLP11, 2019)<br><strong>MARTINA BERTONI <\/strong>&#8211; Blu (\u201cAll the Ghosts are Gone\u201d,Falk 1F\/14 13\/15\/00-3C, 2020)<br><strong>PITA<\/strong> &#8211; Motivation (\u201cGet on\u201d, Editions Mego eMEGO269, 2019)<br><strong>ELEH<\/strong> &#8211; Overt Too (\u201cLiving Space\u201d, Touch, TO:114, 2019)<br><strong>BJ NILSEN<\/strong> &#8211; (\u201cDistant Brillance\u201d, 13, sps2034, 2020)<br><strong>HILDUR GUDNADOTTIR<\/strong> &#8211; The Door (\u201cChernobyl OST\u201d, Deutsche Grammophon \u200e\u2013 483 7225, 2019)<br><strong>HILDUR GUDNADOTTIR<\/strong> &#8211; Evacuation (\u201cChernobyl OST\u201d, Deutsche Grammophon \u200e\u2013 483 7225, 2019)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<a class=\"spreaker-player\" href=\"https:\/\/www.spreaker.com\/user\/ondefurlane\/loud-09-gennaio-2020\" data-resource=\"episode_id=21501987\" data-theme=\"dark\" data-autoplay=\"false\" data-playlist=\"false\" data-width=\"100%\" data-height=\"200px\">Ascolta &#8220;LOUD_09 gennaio 2020&#8221; su Spreaker.<\/a><script async=\"\" src=\"https:\/\/widget.spreaker.com\/widgets.js\"><\/script>\n<\/div><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>2017 2018 2019 2020 | 2021 | 2022 | 2023 LOUD! # 67 RAIN, GHOSTS 10.12.2020 GIANMARIA APRILE &#8211; Part II (\u201cRain, Ghosts, One Dog and Empty Woodland\u201d, We Insist! Records LPWEIN10, 2020)GIANMARIA APRILE &#8211; Part III (\u201cRain, Ghosts, One Dog and Empty Woodland\u201d, We Insist! Records LPWEIN10, 2020)LJUDVAGG &#8211; Ackord (\u201cTransformation\u201d, Lamour Records\/Purlieu Recordings&hellip;&nbsp;<a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2020\/\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">LOUD! RADIO EPISODES 2020<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-403","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/comments?post=403"}],"version-history":[{"count":58,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/403\/revisions"}],"predecessor-version":[{"id":1285,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/403\/revisions\/1285"}],"wp:attachment":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/media?parent=403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}