{"id":20,"date":"2020-04-23T20:17:07","date_gmt":"2020-04-23T18:17:07","guid":{"rendered":"http:\/\/www.deison.net\/site\/?page_id=20"},"modified":"2026-03-16T13:45:59","modified_gmt":"2026-03-16T12:45:59","slug":"news","status":"publish","type":"page","link":"https:\/\/www.deison.net\/","title":{"rendered":"NEWS"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>NEXT LIVE ACTION:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"540\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2026\/03\/634201940_122259405596180131_4605076371147315328_n-1024x540.jpg\" alt=\"\" class=\"wp-image-1865\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2026\/03\/634201940_122259405596180131_4605076371147315328_n-1024x540.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2026\/03\/634201940_122259405596180131_4605076371147315328_n-300x158.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2026\/03\/634201940_122259405596180131_4605076371147315328_n-768x405.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2026\/03\/634201940_122259405596180131_4605076371147315328_n-1536x810.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2026\/03\/634201940_122259405596180131_4605076371147315328_n.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON MINGLE: EVERYTHING COLLAPSE(D) &#8211; Piano Versions<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">\u201cEverything Collapse[d] &#8211; Piano Versions\u201d is a work that I created with Andrea Gastaldello (&#8220;Mingle&#8221;) in 2014\/15, immediately after the release of our collaborative debut album &#8220;Everything Collapse[d],&#8221; which had remained untouched.<br>After Andrea&#8217;s passing in 2021 and the subsequent rediscovery of these forgotten tracks, we thought this work needed to be heard to understand the essence of the original album: it is a sort of reinterpretation of the album for solo piano and electronics, but above all, a tribute to Andrea.<br>Published by a co-production between three labels that have released several of our records in the past (Loud!, Final Muzik, and St.An.Da.\/Silentes), the tracks were mastered by Eraldo Bernocchi in 2025.<br><br>Released on October 31st., 2025<br>See details in <a href=\"https:\/\/www.deison.net\/index.php\/everything-collapsed-piano-versions\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/everything-collapsed-piano-versions\/\">Discography<\/a><\/p>\n\n\n\n<iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1601768968\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/deison.bandcamp.com\/album\/everything-collapse-d-piano-versions-2\">Everything Collapse(d)-Piano Versions by Deison | Mingle<\/a><\/iframe>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/IMG_7259-1024x768.jpg\" alt=\"\" class=\"wp-image-1791\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/IMG_7259-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/IMG_7259-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/IMG_7259-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/IMG_7259-1536x1152.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/IMG_7259-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-justify\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON CRANIOCLAST: COLD STAR: A NOISE INC.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Happy to announce my new work with the enigmatic German band <strong>Cranioclast<\/strong> a mysterious duo active since the early 80s of which I am a big fan.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.deison.net\/index.php\/cold-star-a-noise-inc\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/cold-star-a-noise-inc\/\">Cold Star: A Noise Inc<\/a><\/em>. is a collaboration between Deison and Cranioclast. From 2019 to 2024 there were continuous virtual exchange processes to create long sound-themes. The sounds where recorded, collected and manipulated by Deison at 1st Floor Studio and by Soltan Karik with the virtual succour by Sankt Klario. Tracks are segmented as circular encyclicas and the notorious use of anagrams is adopted for each title.<\/p>\n\n\n\n<p>Thanks to Michael from Kallabris, who helped initiate the collaboration and read the text Sankt Traumartinszug \/ Saint Traumartin&#8217;s Procession by Soltan Karik at the end of the work. <\/p>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"1671\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3568-1024x1024.jpg\" alt=\"\" class=\"wp-image-1671\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3568-1024x1024.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3568-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3568-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3568-768x768.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3568-1536x1536.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3568.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"1670\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3567-1024x768.jpg\" alt=\"\" class=\"wp-image-1670\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3567-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3567-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3567-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3567-1536x1152.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/GZ1A3567.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1083710283\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/deison.bandcamp.com\/album\/cold-star-a-noise-inc\">Cold Star: a Noise Inc. by Deison Cranioclast<\/a><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>KAPOTTE MUZIK: DEISON RE-WORKED<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">My contribution to the project: \u2018Use <strong><em>Kapotte Muziek<\/em><\/strong> Now\u2019 a collection of remixes.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1543378106\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2497682987\/transparent=true\/\" seamless><a href=\"https:\/\/kormdigitaal.bandcamp.com\/album\/use-now\">Use Now by Kapotte Muziek<\/a><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DUE SCRITTI IMPERFETTI<\/strong> <strong>INTERVISTA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\"><strong>Giancarlo Toniutti, Deison, Massimo Toniutti<\/strong> intervista su Radio Onde Furlane. <\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=63610546&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DUE SCRITTI IMPERFETTI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Thrilled to announce my new collaboration work <strong><em>due scritti imperfetti<\/em><\/strong>  with <strong>Giancarlo Toniutti, Deison, Massimo Toniutti<\/strong><br>The CD, 6-panel digisleeve, ltd. 300 copies  is out on November 23rd, 2024 on 13\/Silentes label.<br><br><strong>\u201cdue scritti imperfetti\u201d <\/strong>contains three compositions meticulously put together by Giancarlo Toniutti, Deison and Massi- mo Toniutti. The location chosen for this collaboration was primarily the recording studio in Udine where, in a two-year timespan, the authors met to discuss, compose, record, trim, listening back, sifting out sounds and adapting their electro- acoustic mixtures.<\/p>\n\n\n\n<p>The music or rather \u2018musics\u2019 that emerged during this progress, represent different versions of ongoing experiments, a whole construction focussed on details, those presented by ordained processes, then liberated from the order to find it again in the myriad of sound elements. Details arising while they replace and displace and reorganize vanishing fugues, and again details derived from the reinforcement of one-to-one performances, their proliferations and rarefactions in a space, unfettered.<\/p>\n\n\n\n<p><em>P\u00e2te de verres<\/em>, invisible spikes and wires scrape, the blend grows and gets together tapping strings, with ribs and stretchers and blowing on the borders, oh excited foils, bows and hairs are skipping, slats and staves rebounds, self-built air streams, gliding tiny machines, buzz and dives, fast, faster in the space like tape and knot, stripes and stitches, and fine-tuning timbres, using chisel and timbre and detail and hundreds more modes and means, alloys and montgolfiers, groups or clusters slide away to the boundaries and details tell tales.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Otherwise and inversely balanced, a true electroacoustic work before mastic, before illiteracy.<\/p>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"1590\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3192-copia-1024x1024.jpg\" alt=\"\" class=\"wp-image-1590\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3192-copia-1024x1024.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3192-copia-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3192-copia-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3192-copia-768x768.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3192-copia.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"1592\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3194-copia-1024x768.jpg\" alt=\"\" class=\"wp-image-1592\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3194-copia-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3194-copia-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3194-copia-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2024\/11\/GZ1A3194-copia.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<iframe style=\"border: 0; width: 800px; height: 241px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2456216875\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/deison.bandcamp.com\/album\/due-scritti-imperfetti\">due scritti imperfetti by Giancarlo Toniutti \/ Deison \/ Massimo Toniutti<\/a><\/iframe>\n\n\n\n<p><strong>\u201cdue scritti imperfetti\u201d <\/strong>racchiude tre composizioni meticolosamente assemblate da Giancarlo Toniutti, Deison e Massimo Toniutti. Il luogo d\u2019elezione di questa collaborazione \u00e8 stato principalmente lo studio di Udine dove, nell\u2019arco di due anni, gli autori si sono ritrovati a discutere, comporre, registrare, rifinire, riascoltando, setacciando i suoni e adeguando le loro combinazioni elettroacustiche.<\/p>\n\n\n\n<p>La musica o per meglio dire le musiche che ne sono emerse, rappresentano diverse versioni di sperimentazioni in atto, tutta una costruzione centrata sui dettagli, su quelli rappresentati dai processi preordinati e poi svincolati dal loro ordine per infine ritrovarlo nella miriade di elementi sonori, su quelli insorti per avvicendamento e riposizionamento di fughe in avanti, oppure quelli derivanti dal consolidamento di esecuzioni individuali, le loro moltiplicazioni e rarefazioni nello spazio, illimitato.<\/p>\n\n\n\n<p>Paste vitree, punte invisibili e fili di ferro raschiano, l\u2019amalgama cresce ed assieme a batter su corde, con stecche e balene e soffiar sui bordi, oh lamelle galvanizzate, archi e crini che rimbalzano, doghe o pioli saltellano, e correnti d\u2019aria autocostruite, macchinette scivolano, brusii e picchiate, mobilissimi nello spazio come fettuccia e nodino, come fettucce e nodini, a cesellare il timbro, ad usare cesello e timbro e minuzia e cento altri modi e maniere, miscugli e mongolfiere, gruppi o ammassi scivolano verso il fuori confine e i dettagli raccontano.<\/p>\n\n\n\n<p>Ovvero e inversamente proporzionata, vera opera elettroacustica prima del mastice, prima dell\u2019analfabetismo.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>NEXT LIVE ACTION<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">All&#8217;interno del Giardino dei Lecci di Villa Bertelli, <strong>Forte dei Marmi, <\/strong>il <strong>15 settembre<\/strong> si terr\u00e0 il primo <strong><em>Dissipatio Fest<\/em><\/strong> &#8211; festival dedicato alle &#8216;Dissipazioni Sonore&#8217; prodotte in questi anni dalla Label Toscana; dalle ore 18 si esibiranno:<\/p>\n\n\n\n<p> Alessandro Ragazzo &#8211; Heimito K\u00fcnst &#8211; Simon Balestrazzi &#8211; Adriano Zanni &#8211; Satan is my brother &#8211; The Star Pillow <strong>&#8211; <a href=\"https:\/\/www.deison.net\/index.php\/magnetic-debris-vol-1-2\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/magnetic-debris-vol-1-2\/\">Deison<\/a><\/strong> &#8211; Ambasce<\/p>\n\n\n\n<p>L&#8217;ingresso ai concerti \u00e8 gratuito con posti limitati<\/p>\n\n\n\n<p class=\"has-text-align-left\">Per info e aggiornamenti: <a href=\"https:\/\/dissipatio.bandcamp.com\" data-type=\"link\" data-id=\"https:\/\/dissipatio.bandcamp.com\">dissipatio.bandcamp.com<\/a><a href=\"https:\/\/www.facebook.com\/Dissipatio?__cft__[0]=AZUOrSg6CLdqIvjRe7-LEQ7DGTw9u19k_AD8F6oGlVKPm3pKzJ8EodbP3V74tO7H3rzZ223wsZgCTEjfY0nWyDDLPW9SREaiankdqAkcd8nAfQ&amp;__tn__=q\">  <\/a> | <a href=\"https:\/\/www.facebook.com\/Dissipatio?__cft__[0]=AZUOrSg6CLdqIvjRe7-LEQ7DGTw9u19k_AD8F6oGlVKPm3pKzJ8EodbP3V74tO7H3rzZ223wsZgCTEjfY0nWyDDLPW9SREaiankdqAkcd8nAfQ&amp;__tn__=q\"> <\/a><a href=\"https:\/\/www.facebook.com\/Dissipatio\" data-type=\"link\" data-id=\"https:\/\/www.facebook.com\/Dissipatio\">facebook.com\/Dissipatio<\/a>  <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/08\/366028426_10231935867596874_3257793316657584078_n-1024x724.jpeg\" alt=\"\" class=\"wp-image-1380\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/08\/366028426_10231935867596874_3257793316657584078_n-1024x724.jpeg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/08\/366028426_10231935867596874_3257793316657584078_n-300x212.jpeg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/08\/366028426_10231935867596874_3257793316657584078_n-768x543.jpeg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/08\/366028426_10231935867596874_3257793316657584078_n-1536x1086.jpeg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/08\/366028426_10231935867596874_3257793316657584078_n.jpeg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON &#8211; MINGLE Fleer<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\"><em>&#8220;Derubando Bauman: Ventrezia, citt\u00e0 delle citt\u00e0, deserto sovraffollato che inghiotte i suoi abitanti in cambio di letti e interessi privati. Dalle Casette alle case occupate, dagli alloggi pubblici alle porte sbarrate, passando per Mestre e Castello, storie di resistenza alla ferocia di una bonifica umana che espropria il presente, ma che mai completamente ha assassinato e sepolto speranze e rivolte.&#8221;<\/em><\/p>\n\n\n\n<p>Musica di <strong>DEISON &amp; MINGLE<\/strong>, video di Alberto e Paolo Youssef.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe title=\"VENTREZIA, primo estratto foto-filmico: senza case per tutt*\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/PCrO7tPt_Q0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>NEW COLLABORATION TRACK<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">New collaboration track &#8216;<em>Frostbite Aeolian<\/em>&#8216; composed together with the artist <a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/tonidimitrov\" target=\"_blank\">Toni Dimitrov<\/a> (field recordings), released as a part of Attenuation circuit various artists compilation <strong>&#8220;r I \u0258 (2023_1)&#8221;<\/strong><br><a rel=\"noreferrer noopener\" href=\"http:\/\/www.emerge.bandcamp.com\/album\/r-i-2023-1\" target=\"_blank\">emerge.bandcamp.com\/album\/r-i-2023-1<br><\/a>\u00b0 ACU 1045 \u00b0 2023 (released May 10, 2023)<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=2733908548\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/deison.bandcamp.com\/track\/frostbite-aeolian\">Frostbite Aeolian by Deison &amp; Toni Dimitrov<\/a><\/iframe>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"519\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/05\/mock-up-scaled-e1683904778921-1024x519.jpg\" alt=\"\" class=\"wp-image-1357\" style=\"width:1024px;height:519px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/05\/mock-up-scaled-e1683904778921-1024x519.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/05\/mock-up-scaled-e1683904778921-300x152.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/05\/mock-up-scaled-e1683904778921-768x389.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/05\/mock-up-scaled-e1683904778921-1536x778.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/05\/mock-up-scaled-e1683904778921.jpg 1560w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON NEW DOUBLE ALBUM: <a href=\"https:\/\/www.deison.net\/index.php\/magnetic-debris-vol-1-2\/\" data-type=\"page\" data-id=\"1100\" target=\"_blank\" rel=\"noreferrer noopener\">MAGNETIC DEBRIS VOL.1 &amp;2<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">\u201cMagnetic Debris\u201d is a collection of audio works mainly based on the editing of old archived tape loops and &#8220;found&#8221; magnetic sounds. This material as main reference was subjected to multi-channel treatments, re assembled and mixed along with audio generators, and various electronic devices. These processed debris explores drone territories as a concrete atmospheric soundtrack full of tension with a sense of mystery and a melancholic beauty.<br>Recorded and assembled in 2018, this double album has been mastered by James Plotkin.<\/p>\n\n\n\n<p>Released by <a href=\"https:\/\/dissipatio.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Dissipatio Label<\/a>; See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em>.<\/p>\n\n\n\n<p>Release date: January,15th <\/p>\n\n\n\n<p>Pre order: <a href=\"https:\/\/deison.bandcamp.com\/album\/magnetic-debris-vol-1-2\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/deison.bandcamp.com\/album\/magnetic-debris-vol-1-2<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"903\" data-id=\"1076\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-1024x903.jpg\" alt=\"\" class=\"wp-image-1076\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-1024x903.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-300x265.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-768x677.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-1536x1355.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low.jpg 1663w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"1077\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227498_10-1024x683.jpeg\" alt=\"\" class=\"wp-image-1077\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227498_10-1024x683.jpeg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227498_10-300x200.jpeg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227498_10-768x512.jpeg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227498_10-930x620.jpeg 930w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227498_10.jpeg 1350w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"http:\/\/itunes.apple.com\/album\/id\/1806570271\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg.png\" alt=\"\" class=\"wp-image-1712\" style=\"object-fit:cover;width:50px;height:50px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg.png 512w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg-300x300.png 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg-150x150.png 150w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><a href=\"https:\/\/www.deison.net\/index.php\/una-notte-che-non-finisce-mai\/\" data-type=\"page\" data-id=\"1017\" target=\"_blank\" rel=\"noreferrer noopener\">UNA NOTTE CHE NON FINISCE MAI<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Il progetto \u201cUna Notte che non finisce mai\u201d, ideato da Sandra Tonizzo, si sviluppa in otto racconti e altrettanti episodi sonori raccontando attraverso suggestioni, cronache, impressioni e ricordi l\u2019intricata vicenda del \u201cMostro di Firenze\u201d; un ossessione che da decenni ci vede coinvolti in letture e studi e che a modo nostro abbiamo \u201cimpresso\u201d sottoforma di parole, immagini e suoni.<br>Il libretto (21x21cm) e il CD incluso escono in un\u2019edizione limitata di 200 copie per la neonata label \u201c1970\u201d della famiglia Silentes.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"1031\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2702-1024x768.jpg\" alt=\"\" class=\"wp-image-1031\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2702-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2702-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2702-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2702-1536x1152.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2702-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"1033\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2704-1024x768.jpg\" alt=\"\" class=\"wp-image-1033\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2704-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2704-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2704-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2704-1536x1152.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2704-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"1034\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2706-1024x768.jpg\" alt=\"\" class=\"wp-image-1034\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2706-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2706-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2706-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2706-1536x1152.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2706-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"1030\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2698-1024x768.jpg\" alt=\"\" class=\"wp-image-1030\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2698-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2698-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2698-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2698-1536x1152.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2021\/10\/GZ1A2698-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\"><a rel=\"noreferrer noopener\" href=\"https:\/\/deison.bandcamp.com\/album\/white-landscape\" target=\"_blank\">LISTEN \/ BUY<\/a><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935516864\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/deison.bandcamp.com\/album\/una-notte-che-non-finisce-mai\">Una notte che non finisce mai by Deison<\/a><\/iframe>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON REMIX FOR  :ZOVIET*FRANCE<\/strong>:<\/p>\n\n\n\n<p class=\"has-text-align-justify\">This is my contribution for the open remix project&nbsp;curated by :zoviet*france:, this track has been assembled using audio sources taken from \u201cHidden by the Wall\u201d, a soundwork by :zoviet*france: commissioned by Green Croft Arts as part of its Collision and Conflict project.<\/p>\n\n\n\n<p>Field recordings have been deconstructed and remixed at&nbsp;<a href=\"https:\/\/soundcloud.com\/tags\/1st\">#1st<\/a>&nbsp;Floor Studio, (Varmo, UD), Italy on Sunday, April 11th, 2021.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Collision and Conflict is a GPS-triggered geolocated sound walk, presented through the Echoes phone app, that follows a circular route between Walltown and Green Croft in Northumberland, UK. The route runs alongside and close by Hadrian&#8217;s Wall, a vast Roman defensive fortification that runs east\/west across northern England, marking the northwestern frontier of the Roman empire. While following the route, walkers can listen to each of the 14 new music, sound and spoken word Collision and Conflict compositions at the locations to which they&#8217;ve been allocated along the way. Hidden-by-the-Wall can be found along a stretch of open country between Walltown and Thirlwall, a high point from which the distant Scottish borders to the north and the North Pennines to the south can be seen.<\/p>\n\n\n\n<p>More on Collision and Conflict:<br><a href=\"https:\/\/gate.sc\/?url=https%3A%2F%2Fwww.greencroftonthewall.com%2Fcollision-and-conflict&amp;token=3db6f2-1-1618311956392\" rel=\"noreferrer noopener\" target=\"_blank\">www.greencroftonthewall.com\/collision-and-conflict<\/a><\/p>\n\n\n\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1027717435&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/deizon\" title=\"Deison\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">Deison<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/deizon\/hidden-by-the-wall-inside-a-wire-fence-deison-remix\" title=\":zoviet*france: - Hidden By The Wall (inside a wire fence Deison-remix)\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">:zoviet*france: &#8211; Hidden By The Wall (inside a wire fence Deison-remix)<\/a><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON \/ MAURIZIO BIANCHI NEW CD &#8220;<a href=\"https:\/\/www.deison.net\/index.php\/white-landscape\/\" data-type=\"page\" data-id=\"878\" target=\"_blank\" rel=\"noreferrer noopener\">WHITE LANDSCAPE<\/a>&#8220;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Final Muzik presents the second collaboration between two well-known Italian experimental\/electronic music composers, Deison and Maurizio Bianchi (M.B.). This is their second album together, after &#8220;Black Panorama&#8221; CD (Final Muzik, 2015). &#8220;White Landscape&#8221; has been recorded between 2015 and 2016; Deison did the final mix of the album at his 1st Floor Studio in May 2017. CD comes in a beautiful digisleeve format with artwork by Deison, 4 panels. Cat. nr. FMSSD04. Limited edition of 200 copies.&nbsp;<\/p>\n\n\n\n<p><em>\u201cAfter having spent an imaginary lobotomized hibernation in the darkest bush, the constant search for bright oblivion led us to luminescent scenarios, and the result was this illuminating four-handed work that fulfills our desire for clever experimentation. The attentive listeners will be truly enlightened.\u201d<\/em> (M.B.)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/IMG_8292-1024x768.jpg\" alt=\"\" class=\"wp-image-900\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/IMG_8292-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/IMG_8292-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/IMG_8292-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/IMG_8292-1536x1152.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/12\/IMG_8292-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/deison.bandcamp.com\/album\/white-landscape\" target=\"_blank\" rel=\"noreferrer noopener\">LISTEN \/ DOWNLOAD<\/a><\/figcaption><\/figure>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON : NEW REMIXES<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Noise-d-puns-rmx is my remix on \u201cThe Rethinking: The Reassuring Remixes\u201d by Andrea Prevignano\u2019s project Dope In The Pig Bags out now in digital format on Asbestos Digit along with other mixed sounds by Teho Teardo, Massimo Pupillo, Andrea Ics Ferraris, Liquido di Morte, Netherworld e others !!!<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Recut &#8211; Recutting Remix (Deison remix)&nbsp; on Bareback (Stripped &amp; Remasked)&#8221; by the Finnish band Throat contains a remixed version of the original album. The result is a wild ride of sonic madness ranging from brutal harsh noise to more experimental industrial sounds and everything in between. Simultaneously presenting completely new material from the artists involved and&nbsp;Throat&nbsp;paying homage to influential genres of sound not necessarily so obvious in their usual material.<br>The artists\/groups participating on &#8220;Bareback (Stripped &amp; Remasked)&#8221; include&nbsp;Government Alpha,&nbsp;Himukalt,&nbsp;Deison,&nbsp;Black Leather Jesus,&nbsp;Sshe Retina Stimulants,&nbsp;Vanhala,&nbsp;Heat Signature,&nbsp;Like Weeds,&nbsp;Linekraft,&nbsp;Lasse Marhaug,&nbsp;Concrete Mascara,&nbsp;Erratix,&nbsp;Niku Daruma,&nbsp;Kazuma Kubota,&nbsp;Jarl&nbsp;and&nbsp;Ker\u00e4nen.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3233812093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3674783121\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/asbestosdigit.bandcamp.com\/album\/dope-in-the-pig-bags-the-rethinking-the-reassuring-remixes-asbestos-digit-91\">Dope In The Pig Bags &#8211; The Rethinking: The Reassuring Remixes (Asbestos Digit 91) by Dope In The Pig Bags<\/a><\/iframe>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1616119523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=657464892\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ihatethroat.bandcamp.com\/album\/bareback-stripped-remasked\">Bareback (Stripped &amp; Remasked) by Throat<\/a><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON AT AUDIOSPHERE EXHIBITION<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/121491837_10224008718274052_2419010460181449119_o-1024x1024.jpg\" alt=\"\" class=\"wp-image-860 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/121491837_10224008718274052_2419010460181449119_o-1024x1024.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/121491837_10224008718274052_2419010460181449119_o-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/121491837_10224008718274052_2419010460181449119_o-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/121491837_10224008718274052_2419010460181449119_o-768x768.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/11\/121491837_10224008718274052_2419010460181449119_o.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-justify\">The exhibition &#8220;Audiosphere-Sound Experimentation 1980-2020&#8221; is open from October in Madrid (at the Reina Sofia Museum), an exhibition without objects or images, which presents the visitor with the vast and dynamic universe that has become the field of experimental audio.<br>An audio track of mine (<em>&#8220;La Calma-for Dima&#8221;<\/em>) was included, by the curator Francisco Lopez, among the sound works along with those of many other artists.<br>This is the first exhibition of these characteristics to take place in the world.<br>Audiosfera immerses the visitor in a singular sensory experience through a collection of sound tracks distributed in seven thematic spaces that the public can listen to privately.<br><\/p>\n\n\n\n<p><a href=\"https:\/\/www.museoreinasofia.es\/exposiciones\/audiosfera\" data-type=\"URL\" data-id=\"https:\/\/www.museoreinasofia.es\/exposiciones\/audiosfera\" target=\"_blank\" rel=\"noreferrer noopener\">READ MORE<\/a><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON : <a href=\"https:\/\/www.deison.net\/index.php\/substrata\/\" data-type=\"page\" data-id=\"824\" target=\"_blank\" rel=\"noreferrer noopener\">SUBSTRATA<\/a><\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:47% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"985\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/07\/Deison_substrata2-1024x985.jpg\" alt=\"\" class=\"wp-image-825 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/07\/Deison_substrata2-1024x985.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/07\/Deison_substrata2-300x289.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/07\/Deison_substrata2-768x739.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/07\/Deison_substrata2.jpg 1181w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-justify\"><a href=\"http:\/\/www.substantia-innominata.de\/index.html\" target=\"_blank\" rel=\"noreferrer noopener\">SUBSTANTIA INNOMINATA<\/a> is a release-series from <a href=\"https:\/\/www.dronerecords.de\" target=\"_blank\" rel=\"noreferrer noopener\">Drone Records<\/a> about the &#8220;The Unknown&#8221;. A concept that embraces the prospect of infinite possibilities for artists to create music about the intangible such as: The Unnameable, The Unspeakable, The Unthinkable, The Unidentifiable, etc. Various aspects related to &#8216;The Unknown&#8217;. Sound artists and artwork designers were invited to work on the theme of the &#8216;grey matter&#8217; \/ the &#8216;dark continent&#8217; surrounding us &amp; within us: Transforming this paradoxical idea into acoustic and visual objectifications.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">In this chapter Deison is exploring atmospheric vibes with an electro-acoustic approach. 3 track 10 &#8221; EP &#8211; filed under &#8220;awesome crystalline drones&#8221;, based on prepared tapes, metals, strings, wires and electronics&#8230; 300 copies on transparent green vinyl.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">\u201cSubstrata\u201d contains three new compositions where sounds are conceived as they are \u201cexcavated\u201d from the earth beneath our feet \u201cTerra Firma\u201d (erosion) and then taking to the light (awakening); it describes its interior solid surface (\u201cPrima Materia\u201d), the primitive formless base of all matter similar to chaos, the quintessence or aether.&#8221;<\/p>\n<\/div><\/div>\n\n\n\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/832906855&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/drone-records\" title=\"Drone Records\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Drone Records<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/drone-records\/deison-substrata-side-a\" title=\"DEISON - Substrata - SIDE A\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">DEISON &#8211; Substrata &#8211; SIDE A<\/a><\/div>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON \/  JOHN DUNCAN: <a href=\"https:\/\/www.deison.net\/index.php\/chimeratorium\/\" data-type=\"page\" data-id=\"142\" target=\"_blank\" rel=\"noreferrer noopener\">CHIMERATORIUM<\/a><\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"725\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0019371658_10-1024x725.jpg\" alt=\"\" class=\"wp-image-131 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0019371658_10-1024x725.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0019371658_10-300x213.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0019371658_10-768x544.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0019371658_10.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-justify\">&#8220;Chimeratorium&#8221; is based on an audio dream that Deison had. He dreamt about making a new piece together with <em><a rel=\"noreferrer noopener\" href=\"http:\/\/www.johnduncan.org\/press\/bio.html\" target=\"_blank\">John Duncan<\/a><\/em>: they were in a large room, in an old church, sculpting frequencies repeatedly for hours. Sounds and frequencies have been then recreated in the studio according to that particular event, becoming the long beautiful suites &#8220;<em>Theta Waves&#8221;<\/em> and <em>&#8220;Portal&#8221;<\/em>, the latter being a collaboration track by both artists. John Duncan, one of the most consistently confrontational, powerful, and compelling masters of experimentation of the last forty years, is also presenting an unreleased number entitled <em>&#8220;Everyone&#8221;<\/em>, which is an alternate mix of a track that is going to appear on his upcoming album called &#8220;Soft Eyes&#8221;, a project that was born directly from the experiences and inspirations that Duncan collected during the &#8220;Red Sky tour&#8221; in Japan with Eiko Ishibashi, Jim O&#8217;Rourke and Joe Talia.<\/p>\n<\/div><\/div>\n\n\n\n<p>Packed in a deluxe gatefold sleeve with images created by <strong><em>Stefano Gentile<\/em><\/strong>, &#8220;Chimeratorium&#8221; comes in a limited 10&#8243; black vinyl in the <strong><em><a href=\"http:\/\/13.silentes.it\/private_sounds\/sps2036_deison_john_duncan_chimeratorium.htm\" target=\"_blank\" rel=\"noreferrer noopener\">13\/Silentes<\/a><\/em><\/strong> series. Out in June, 2020! See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe title=\"DEISON | JOHN DUNCAN : PORTAL\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/HrL_BN8hKNU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>ATTN : SPAN: COMPILATION<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">I have a new  track on the new ATTN : SPAN compilation curated by Jack Chuter and ATTN:Magazine<br>ATTN : SPAN is a compilation of 10-second tracks (0ver 200 of them!) designed for shuffle playback featuring lasse Marhuag, Aidan Baker, Oren Ambarchi, Machinefabriek&nbsp;among others.<br>All profits donated to charity Cool Earth who work with local people to halt deforestation and climate change.<br>Artwork by James Marriott.<\/p>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=683742342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2954388183\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/attnspancompilation.bandcamp.com\/album\/attn-span\">ATTN:SPAN by ATTN:SPAN<\/a><\/iframe>\n<\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/93388427_3015026385221999_8433892795139227648_o-724x1024.jpg\" alt=\"\" class=\"wp-image-391\"\/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON \/  KK NULL: <a href=\"https:\/\/www.deison.net\/index.php\/yugen\/\" data-type=\"page\" data-id=\"155\" target=\"_blank\" rel=\"noreferrer noopener\">YUGEN<\/a><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0017903664_10-1024x819.jpg\" alt=\"\" class=\"wp-image-156\" style=\"width:768px;height:614px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0017903664_10-1024x819.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0017903664_10-300x240.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0017903664_10-768x614.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0017903664_10.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-justify\">Ten years after their first collaboration (<em>\u201cInto\u201d, Silentes, 2009<\/em>) <strong><em><a rel=\"noreferrer noopener\" href=\"http:\/\/kknull.com\/en\/biography\/\" target=\"_blank\">KK Null <\/a><\/em><\/strong>and <strong><em>Deison<\/em><\/strong> are back together with \u201cYugen\u201d, a new work exploring darkness and controlled chaos thru deep and dense sounds. Pulsating and fractured electronics are mixed with an eerie atmosphere of clunks, broken tribal drums and hovering electronic tones.<\/p>\n\n\n\n<p>CD ltd. 200 copies&nbsp;out on st.an.da. (1916). See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>WHAT A STRANGE STORY: PLAYING LIVE WITH NURSE WITH WOUND&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">On October, 12th during the event &#8220;Scenasonica\/Congresso&#8221; in Pordenone, Italy, Deison has been asked to join <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Nurse_with_Wound\" target=\"_blank\" rel=\"noreferrer noopener\">NURSE WITH WOUND<\/a><\/em><\/strong> live on stage for their whole perfomance.&nbsp;Line up: <em><strong>Deison, Steven Stapleton, Colin Potter and Andrew Liles<\/strong><\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"746\" height=\"420\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/NWW-Sound-copia.jpg\" alt=\"\" class=\"wp-image-168\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/NWW-Sound-copia.jpg 746w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/NWW-Sound-copia-300x169.jpg 300w\" sizes=\"(max-width: 746px) 100vw, 746px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe title=\"Nurse With Wound live in Pordenone , 12.10.2019\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/tzrgbTLDCrA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:39%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><strong>LIVE AKTION: DEISON LIVE AT NOISE FROME THE BASEMENT<\/strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"296\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/deison_belluno_web-copia.jpg\" alt=\"\" class=\"wp-image-170\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/deison_belluno_web-copia.jpg 567w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/deison_belluno_web-copia-300x157.jpg 300w\" sizes=\"(max-width: 567px) 100vw, 567px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>GIANLUCA BECUZZI \/ DEISON<\/strong> &#8211; <strong>CREDO<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">After our first collaboration in 2013 in two tracks on &#8220;<em>We Can Be Everywhere<\/em>&#8221; (<em><a href=\"http:\/\/www.finalmuzik.com\" target=\"_blank\" rel=\"noreferrer noopener\">Final Muzik<\/a> &#8211; FMSSD01<\/em>) now comes &#8220;Credo&#8221; (soon also on CD). I made the music on which the voice and lyrics are layered by <a href=\"https:\/\/www.discogs.com\/it\/artist\/539766-Gianluca-Becuzzi\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Gianluca Becuzzi<\/em><\/strong> <\/a>(<em>Limbo, Kinetix, Noise Trade Company<\/em>) in homage to the work of the same name by James G. Ballard.<br>The result is a mix of pulsating and deep electronic vibes with the visionary nihilism of the lyrics.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=7653348\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/gianlucabecuzzi.bandcamp.com\/album\/gianluca-becuzzi-and-deison-credo\">Gianluca Becuzzi and Deison &#8211; Credo by Gianluca Becuzzi<\/a><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>EJECT<\/strong> : <strong><a href=\"https:\/\/www.deison.net\/index.php\/zero-return\/\" data-type=\"page\" data-id=\"352\" target=\"_blank\" rel=\"noreferrer noopener\">ZERO RETURN<\/a><\/strong><\/p>\n\n\n\n<p>Eject is an Italian project shared between <em><strong>Francesco Calandrino<\/strong><\/em> and <strong><em>Cristiano Deison<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">You can listen to the fusion of these sounds originating from sound reproduction systems that are very far apart even if they turn out to be a forceful force on this limited edition <strong>Zero Return<\/strong>&nbsp;(<em>CD-R, Chocolate Monk<\/em>).&nbsp;<br>Hyper lo-fi sounds generated by mechanical systems like old cassette stereos, walkmans and pre-post-not manipulated tape&#8217;s recordings by Calandrino combined with Deison&#8217;s genius who with the skillful use of tape loops, electronics and effects together with field recordings using a Tascam 404 create a jagged planet , ambient and indefinable visions transporting the listener to a pulsating era.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify\">Eject (Francesco Calandrino and Cristiano Deison). The former lives and works way down in Alcamo in the fields of research music, net-art, language and wine. No doubt guzzling down the good grape while he generates hyper lo-fi sounds from sputtering mechanical systems like his beloved old radio-cassette stereos and wonky walkmans. While the latter has his lab way up in Varmo, where he can usually be found frothing over his Tascam 404, turntable guts and objects churning out skillful tape loop burbles, electronic skittering and field recordings. The whole thing has a great eavesdropping throb that feels like its beaming in from afar. You know they are both part of the ferment of ideas on here but it is a real whodunit. Better get your ear magnifier out, Sherlock.&nbsp;<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=653109599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/deison.bandcamp.com\/album\/zero-return\">Zero Return by Eject<\/a><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DEISON\/DEVIS<\/strong> : <strong><a href=\"https:\/\/www.deison.net\/index.php\/uncut\/\" data-type=\"page\" data-id=\"356\" target=\"_blank\" rel=\"noreferrer noopener\">UNCUT<\/a><\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"977\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a3907077732_10-1024x977.jpg\" alt=\"\" class=\"wp-image-85 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a3907077732_10-1024x977.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a3907077732_10-300x286.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a3907077732_10-768x733.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/a3907077732_10.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>After their first collaboration in 1997, Cristiano Deison and Devis Granziera (Devis is probably better known for Teatro Satanico),followed by &#8220;Bees&#8221; a tape release on Luce Sia in 2017, two historical names of the Italian experimental industrial scene find themselves together again for a new collaborative work.&nbsp;<br>An EP entitled \u201cUncut\u201d where intriguing rhythms and complex structures are wrapped with rough sounds, unsettling voices and a swarm of cybernetic noise.&nbsp;<br>An instinctive and wise work, an experimental hive where dark and paralyzing contaminations flow together.&nbsp;<br>It is a metallic universe devoid of light and heat that flows obsessively between distorted particles and viscous persistences.&nbsp;<br><br>Only 100 copies (CD-r Uncut) with minimal art-work in transparent Jewel-Case &amp; Sticker. Out On Old Europa Cafe&#8217;.<\/p>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><strong>COMPIUTA RESONANCE<\/strong><\/strong><\/p>\n\n\n\n<p><strong>Spray+Sound performance di DEISON e CARNE<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Risonanza in chimica \u00e8 il fenomeno per cui un\u2019unica formula di struttura \u00e8 insufficiente a rappresentare una molecola. Impermanenza fondamenta della ricerca artistica, Interdipendenza come compimento della formula.&nbsp; Nasce cosi la collaborazione tra Carne e Deison, dove gli spray del primo dialogano analogicamente con le macchine del secondo e viceversa. Gli spray generano il suono che processato influenza a sua volta la gestualit\u00e0 e la ritmica pittorica, dove la razionalit\u00e0 e l\u2019irrazionalit\u00e0 pittorica di Carne danno e prendono forma attraverso il suono processato da Deison, generando&nbsp; una performance istintiva&nbsp; figlia del Tempo e dello Spazio. &nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe title=\"Compiuta Resonance\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/pP7AsqS-UNo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><\/div><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong><strong><a href=\"https:\/\/www.deison.net\/index.php\/dead-piano\/\" data-type=\"page\" data-id=\"361\" target=\"_blank\" rel=\"noreferrer noopener\">DEAD PIANO<\/a><\/strong><\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"804\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/Dead1.jpg\" alt=\"\" class=\"wp-image-190 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/Dead1.jpg 850w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/Dead1-300x284.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/Dead1-768x726.jpg 768w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>The idea of <strong>&#8220;DEAD PIANO&#8221;<\/strong> was born from the intention of using the sound of the piano in a different context, compared to what we are used to listen. Can this instrument become a different &#8216;sound generator&#8217;?&nbsp;<br>Beyond what has been done in the past, when many composers used a &#8216;prepared piano&#8217;, where they placed microphones near the strings, or pieces of metal that generated particular sounds resonating with the strings, the most recent technology offers many tools to manipulate that same sound, so well-known and unmistakable, and transform it into something quite different. Therefore it is possible for the piano to become a generator of percussive sounds, pads and drones, creating a sound palette that is reconciled with other sound sources becoming a cohesive and intriguing whole. The piano sounds manipulated by&nbsp;<em><strong>ANDREA BELLUCCI<\/strong><\/em>, are perfectly integrated with the atmospheres generated by&nbsp;<em><strong>CRISTIANO DEISON<\/strong><\/em>&#8216;s machines, creating &#8216;sonic landscapes&#8217; which complement each other.&nbsp;<br>Not only melody then, where the piano can be considered &#8216;the instrument&#8217; par excellence, but also the search for atmospheres and environments that can involve the listener, perhaps giving unexpected emotions.&nbsp;<\/p>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em><\/p>\n<\/div><\/div>\n\n\n\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/505948602&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/silentes-13\" title=\"13 \/ silentes\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">13 \/ silentes<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/silentes-13\/dead-piano-dead-piano\" title=\"DEAD PIANO : DEAD PIANO\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">DEAD PIANO : DEAD PIANO<\/a><\/div>\n\n\n\n<p><strong><em>Dead Piano<\/em><\/strong> (st.an.da, 1806) CD \/ ltd.200 Release Date: October, 15th<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><strong><strong>LIVE AKTION: COMPIUTA RESONANCE \/\/ DEISON+CARNE AT DOBIA LAB, DOBBIA, ITALY 07.10.2018<\/strong><\/strong><\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"502\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta.jpg\" alt=\"\" class=\"wp-image-201\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta.jpg 960w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta-300x157.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta-768x402.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"992\" height=\"744\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta_live.jpg\" alt=\"\" class=\"wp-image-202\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta_live.jpg 992w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta_live-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/compiuta_live-768x576.jpg 768w\" sizes=\"(max-width: 992px) 100vw, 992px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"unreleased-track-on-spectral-signs-series\"><strong>UNRELEASED TRACK ON SPECTRAL SIGNS SERIES<\/strong><\/h4>\n\n\n\n<p>&#8220;Degrade (lower level)&#8221; is an unreleased track featuring on the series [ SPECTRAL SIGNS _ 07 ] released by&nbsp;<a href=\"https:\/\/www.facebook.com\/weareghostcity\/\">GHOST CITY COLLECTIVE<\/a>, an audio-visual collective born in 2015 that pushes underground-self-produced stuff\u2026obscure, lo-fi and experimental sounds!<\/p>\n\n\n\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/353288447&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/weareghostcity\" title=\"Ghost City Collective\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Ghost City Collective<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/weareghostcity\/2_deison_degrade_lower-level-s-p-e-c-t-r-a-l-s-i-g-n-s-0-7\" title=\"DEISON_DEGRADE_[ lower level ]_[ spectral 07 ]\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">DEISON_DEGRADE_[ lower level ]_[ spectral 07 ]<\/a><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"deison-and-devis-collaboration-on-tape-bees\"><strong><strong>DEISON AND DEVIS COLLABORATION ON TAPE<\/strong><\/strong>: <a href=\"https:\/\/www.deison.net\/index.php\/bees\/\" data-type=\"page\" data-id=\"369\" target=\"_blank\" rel=\"noreferrer noopener\">BEES<\/a><\/h4>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"http:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0011733376_10-1024x768.jpg\" alt=\"\" class=\"wp-image-370 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0011733376_10-1024x768.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0011733376_10-300x225.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0011733376_10-768x576.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2020\/04\/0011733376_10.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\"><strong>DEISON \/ DEVIS &#8211; B e e s&nbsp;<\/strong> (Luce Sia, 042)<br>Released on black C40 \/\/ limited to 60 numbered copies with download code.&#8221;After a split cassette in 1997, \u00abBees\u00bb is in fact the first collaboration ever between the two historical Italian experimenters Deison and Devis G.*&nbsp;<br>Deison and Devis worked meticulously, but in an instictive and natural way to this project, inspired by the natural order of things, by bringing piece after piece sounds, texts and rhythms, gathering them together to build a complex structure, like bees do.&#8221; Luce Sia <br>*solo project of Devis &#8220;deviLs&#8221; Granziera of Teatro Satanico, Lvnvs,&#8230;File under: Experimental, Industrial, Dark Ambient, Abstract, Drone.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>See details in <em><a href=\"https:\/\/www.deison.net\/index.php\/discography\/\" data-type=\"link\" data-id=\"https:\/\/www.deison.net\/index.php\/discography\/\">Discography<\/a><\/em><\/p>\n<\/div><\/div>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1774532260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/deison.bandcamp.com\/album\/bees\">Bees by Deison | Devis<\/a><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEXT LIVE ACTION: DEISON MINGLE: EVERYTHING COLLAPSE(D) &#8211; Piano Versions \u201cEverything Collapse[d] &#8211; Piano Versions\u201d is a work that I created with Andrea Gastaldello (&#8220;Mingle&#8221;) in 2014\/15, immediately after the release of our collaborative debut album &#8220;Everything Collapse[d],&#8221; which had remained untouched.After Andrea&#8217;s passing in 2021 and the subsequent rediscovery of these forgotten tracks, we&hellip;&nbsp;<a href=\"https:\/\/www.deison.net\/\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">NEWS<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":78,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":1866,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions\/1866"}],"wp:attachment":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}