{"id":1627,"date":"2025-01-11T10:54:08","date_gmt":"2025-01-11T09:54:08","guid":{"rendered":"https:\/\/www.deison.net\/?page_id=1627"},"modified":"2026-04-07T16:02:39","modified_gmt":"2026-04-07T14:02:39","slug":"loud-radio-episodes-2025","status":"publish","type":"page","link":"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2025\/","title":{"rendered":"LOUD! RADIO EPISODES 2025"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group animated bounce delay-200ms is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-fd526d70 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.facebook.com\/loudradio\" target=\"_blank\" rel=\"noreferrer noopener\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/2021_Facebook_icon.svg.png\" alt=\"\" class=\"wp-image-1411\" style=\"object-fit:cover;width:50px;height:50px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/2021_Facebook_icon.svg.png 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/2021_Facebook_icon.svg-300x300.png 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/2021_Facebook_icon.svg-150x150.png 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/2021_Facebook_icon.svg-768x768.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.instagram.com\/loudradio_ita\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/Instagram_logo_2022.svg-1024x1024.png\" alt=\"\" class=\"wp-image-1410\" style=\"object-fit:cover;width:50px;height:50px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/Instagram_logo_2022.svg-1024x1024.png 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/Instagram_logo_2022.svg-300x300.png 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/Instagram_logo_2022.svg-150x150.png 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/Instagram_logo_2022.svg-768x768.png 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/Instagram_logo_2022.svg-1536x1536.png 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2023\/09\/Instagram_logo_2022.svg-2048x2048.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\">ARCHIVE: <a href=\"https:\/\/loudradio.wixsite.com\/loudradio\/copia-di-playlists\" target=\"_blank\" rel=\"noreferrer noopener\">2017<\/a> | <a href=\"https:\/\/loudradio.wixsite.com\/loudradio\/copia-di-playlists-1\" target=\"_blank\" rel=\"noreferrer noopener\">2018<\/a> | <a href=\"https:\/\/loudradio.wixsite.com\/loudradio\/copia-di-playlists-2\" target=\"_blank\" rel=\"noreferrer noopener\">2019<\/a> | <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2020\/\" target=\"_blank\" rel=\"noreferrer noopener\">2020<\/a> | <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2021\/\" target=\"_blank\" rel=\"noreferrer noopener\">2021<\/a> | <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">2022<\/a> | <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2023\/\" target=\"_blank\" rel=\"noreferrer noopener\">2023<\/a> | <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2024\/\" data-type=\"page\" data-id=\"403\">2024<\/a> | <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2025\/\" data-type=\"page\" data-id=\"1627\">2025<\/a> | <a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2026\/\" data-type=\"page\" data-id=\"1846\">2026<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD! # 162<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> MAGNIFICUT <\/mark> 18.12.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD162.jpg\" alt=\"\" class=\"wp-image-1832 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD162.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD162-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD162-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD162-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>THE BLACK DOG<\/strong> &#8211; Pamphlet (&#8220;Loud Ambient&#8221;, Dust Science, 2025)<br><strong>TEATRO SATANICO<\/strong> &#8211; Give up now (&#8220;Ac\u00e9phale \/ Abu Nuwas, 2025)<br><strong>BAND OF PAIN<\/strong> &#8211; A Hyperdeldric Afterglow in Block F (&#8220;Uncle god&#8217;s pag pag banquet&#8221;, Dirter Promotions, 2025)<br><strong>TORTOISE<\/strong> &#8211; Axial Seamount (&#8220;Touch, International Anthem, 2025)<br><strong>ZERO<\/strong> &#8211; Threads (&#8220;Never Ending Rodeo&#8221;, Ici d&#8217;Ailleurs, 2025)<br><strong>RITUAL HOWLS<\/strong> &#8211; Magnificut (&#8220;Ruin&#8221;, Felte FLT115, 2025)<br><strong>DARKSONICTALES<\/strong> &#8211; TrainStation (&#8220;UnKnown&#8221;, Hallow Ground HG2506, 2025)<br><strong>BLACK RAIN<\/strong> &#8211; Obliteration Bliss (&#8220;Obliteration Bliss&#8221; Room40 RM4262, 2025)<br><strong>ARVIN DOLA <\/strong>&#8211; Thorn in my Flesh (&#8220;O Ghost&#8221;, Dragon\u2019s Eye Recordings\/Espacio Vac\u00edo, de6076, 2025)<br><strong>HAND TO EARTH <\/strong>&#8211; a\u0308d\u0331awk (&#8220;\u014aurru Wa\u0308\u014ba&#8221;, Room40, 2025)<br><strong>MATTHIAS PUECH<\/strong> &#8211; Nekuia (&#8220;La Traverse\u0301e&#8221;, Hallow Ground HG2505, 2025)<br><strong>SADIE POWERS<\/strong> &#8211; Princess Moo Bear (&#8220;Souvenir&#8221;, Room40, 20225)<br><strong>JOANA GUERRA, MARIA DO MAR, ROMKE KLEEFSTRA, JAN KLEEFSTRA<\/strong> &#8211; De Skatekste (&#8220;It Deel IV&#8221;, Moving Furniture, MFRID004, 2025)<br><strong>ANTON LAMBERT &amp; THANOS POLYMENEAS LIONTIRIS<\/strong> &#8211; the they (&#8220;tri-n-os, Kohlhaas KHS039, 2025)<br><strong>RICHARD FRANCIS<\/strong> &#8211; Four J (&#8220;Combinations 4&#8221;,Room40 DRM4231, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=69112655&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 18 dicembre 2025' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 161<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> DAY BLIND <\/mark> 04.12.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD161.jpg\" alt=\"\" class=\"wp-image-1825 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD161.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD161-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD161-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/12\/LOUD161-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>MOTORPSYCHO<\/strong> &#8211; Sonic Cherrox-The Visions Of St. Ephy Seim (&#8220;Ahsol Caravan&#8221;,Det Nordenfjeldske Grammofonselskab , 2025)<br><strong>ANNA VON HAUSSWOLFF<\/strong> &#8211; An Ocean of Time (&#8220;Iconoclasts&#8221;, Year0001, YR0205CD, 2025) &#8211;<br><strong>MASSIMO SILVERIO<\/strong> &#8211; Ghirbe (&#8220;Surtu\u0300m&#8221;, Okum Produzioni, 2025)<br><strong>ALISTER SPENCE<\/strong> &#8211; Friend of Cheery Buzzy (&#8220;Within Without&#8221;, Room40 \u2013 RM4244, 2025)<br><strong>ZANE TROW <\/strong>&#8211; Stalune (&#8220;Ibis&#8221;, Room40 DRM4236, 2025)<br><strong>KORY REEDER<\/strong> &#8211; Landscape Study (excerpt) (&#8220;In Place&#8221;, Thanatosis THT45, 2025)<br><strong>DEISON &amp; MINGLE<\/strong> &#8211; Everything Collapses (&#8220;Everything Collapse(d)-Piano Versions&#8221;, Final Muzik, 2025)<br><strong>KLAENDESTINE<\/strong> &#8211; In Pectore (&#8220;We Shall Share&#8221;, St.An.Da., 2569)<br><strong>YANN NOVAK<\/strong> &#8211; Context Collapse (&#8220;Continuity&#8221;, Room40 \u2013 DRM4227, 2025)<br><strong>MICHELLE HELENE MACKENZIE &amp; STEFAN MAIE<\/strong>R &#8211; Orchid Mantis (&#8220;Breach&#8221;, Portraits GRM \u2013 SPGRM 013, 2025)<br><strong>TAYLOR DEUPREE &amp; ZIMOUN<\/strong> &#8211; Deviation III (&#8220;Wind Dynamic Organ, Deviations&#8221;, LP 12K 2062, 2025)<br><strong>DAVID DONOHOE AND KATE CARR<\/strong> &#8211; A Storm and its Aftermath (&#8220;A Storm and its Aftermath&#8221;, Flaming Pines \u2013 FLP151, 2025)<br><strong>PETER KNIGHT<\/strong> &#8211; The Night Tremors, So It Begs the Dawn (&#8220;For a Moment the Sky Knew My Name&#8221;, Room40 \u2013 RM4263, 2025)<br><strong>GABRIEL BRADY<\/strong> &#8211; Streetlight (&#8220;Day-blind&#8221;, Tonal Union \u2013 TU013LE, 2025)<br><strong>JON PORRAS<\/strong> &#8211; Ceremony Stone (&#8220;Achlys&#8221;, Shelter Press SP159, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=68875715&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 04 dicembre 2025' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 160<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> MUSIQUE IMMOBILES <\/mark> 20.11.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD160.jpg\" alt=\"\" class=\"wp-image-1813 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD160.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD160-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD160-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD160-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>AICHER<\/strong> &#8211; An Exhausted Image (&#8220;Defensive Acoustics&#8221;, Downwards, DNAR01, 2025)<br><strong>RAFAEL TORAL<\/strong> &#8211; You Don&#8217;t Know What Love Is (&#8220;Traveling Light&#8221;, Drag City \u2013 DC948CD, 2025)<br><strong>TEHO TEARDO<\/strong> &#8211; L&#8217;insonnia delle rondini (&#8220;Plays Twin Peaks And Other Infinitives&#8221;, Specula Records, 2025)<br><strong>DAVE PHILLIPS<\/strong> &#8211; Four (&#8220;the last journey&#8221;, Petite Soles, 2025)<br><strong>PABLO DISERENS <\/strong>&#8211; non-night over pseudocraters (&#8220;Ebbing Ice Lines&#8221;, forms of minutiae\/Dinzu Artefacts fom19\/dnz118, 2025)<br><strong>HIDEKI UMEZAWA<\/strong> &#8211; Still Forms (Extract) (&#8220;Still Forms&#8221;, Portraits GRM \u2013 SPGRM 012, 2025)<br><strong>OV PAIN<\/strong> &#8211; Slouching Toward Erehwon (&#8220;Free Time&#8221;, A Guide To Saints SNT042, 2025)<br><strong>FREDRIK RASTEN<\/strong> &#8211;  Murmuration XVI (ending) (&#8220;Murmuration and Stasis&#8221;, Moving Furniture Records \u2013 MFR116, 2025)<br><strong>LAURENT PERNICE<\/strong> &#8211; Lever du jour 1 (Vigueirat) (&#8220;Presque Nature &#8211; Musiques Immobiles 26-31&#8221;, Ta\u00e2lem alm 146, 2025)<br><strong>SERGIO MERCE<\/strong> &#8211; Un faro (&#8220;Archipie\u0301lago&#8221;, Room40, 2025)<br><strong>WHAT WE DO WHEN IN SILENC<\/strong>E &#8211; Sessione 8a (&#8220;What We Do When In Silence&#8221;, Holidays Records, 2025)<br><strong>JO MONTGOMERIE<\/strong> &#8211; it was devastating in scope (&#8220;Ephemeral Rituals&#8221;, The Helen Scarsdale Agency, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=68640181&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 20 novembre 2025' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 159<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> FALLEN DUSK <\/mark> 06.11.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD159.jpg\" alt=\"\" class=\"wp-image-1804 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD159.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD159-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD159-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/11\/LOUD159-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>MATMOS <\/strong>&#8211; Changing States (&#8220;Metallic Life Review&#8221;, Thrill Jockey Records \u2013 THRILL 632, 2025)<br><strong>MASSIMO TONIUTTI<\/strong> &#8211; Spillikins (radio edit) (&#8220;Shanghai Files &#8211; 6 (Or More) Ring-Shaped Films&#8221;, Fungal, 2025)<br><strong>TESTING VAULT <\/strong>&#8211; This Is How The House Works (&#8220;I have secrets I cannot tell you&#8221;, 999 cuts \u2013 CUT 036, 2025)<br><strong>BJ NILSEN<\/strong> &#8211; Essence and accidents (&#8220;True than Nature&#8221;, Ideologic Organ \u2013 SOMA070, 2025)<br><strong>MARJA AHTI <\/strong>&#8211; Still Life with Poppies, Mirror and Two Clouds (&#8220;Touch This Fragrant Surface Of Earth&#8221;,F\u00f6nstret \u2013 15, 2025)<br><strong>VESSITT<\/strong> &#8211; Fallen Dusk (&#8220;Chapter Two_ Reflections&#8221;, Dragon\u2019s Eye Recordings de6077, 2025)<br><strong>KAUKOLAMPI <\/strong>&#8211; for Clarinet (&#8220;Synestopia Variations 1-4&#8221;, \u00d6m Sound \u2013 \u00d6m\u2014004\u2014333, 2025)<br><strong>JAN JELINEK<\/strong> &#8211; Framework 10 (Remix) (&#8220;Framework &#8211; Zwischen Remixes&#8221;, Arbitrary, 2025)<br><strong>JANA IRMERT <\/strong>&#8211; Portals (&#8220;Portals &#8211; Rope&#8221;,Portraits GRM SPGRM016, 2025)<br><strong>FAITH COLOCCIA + DANIEL MENCHE <\/strong>&#8211; Land Form (&#8220;Smelter&#8221;,Room40 RM4255, 2025)<br><strong>LOVERS<\/strong> &#8211; Summer Dreaming (&#8220;Lettres d\u2019amour&#8221;, Thanatosis THT46, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=68443104&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 06 novembre 2025' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 158<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> DAY BLIND <\/mark> 23.10.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD158.jpg\" alt=\"\" class=\"wp-image-1782 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD158.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD158-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD158-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD158-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>SUMAC AND MOOR MOTHER <\/strong>&#8211; Scene 3 (&#8220;The Film&#8221;, Thrill Jockey, 2025)<br><strong>SWANS <\/strong>&#8211; I Am a Tower Swans (&#8220;Birthing&#8221;, 2025)<br><strong>SIGILLUM S<\/strong> &#8211; A Frozen Conduit (&#8220;Aborted Towns The Deadly Silence Before Utopia&#8221;, Subsound Records, 2025)<br><strong>BAND OF PAIN <\/strong>&#8211; She Just Sleeps Now It&#8217;s the Morphine (&#8220;Uncle God\u2019s Pag Pag Banquet&#8221;, Dirter, 2025<br><strong>MERZBOW, IGGOR CAVALERA, ERALDO BERNOCCHI<\/strong> &#8211; Swietenia Macrophylla (&#8220;Nocturnal Rainforest&#8221;, PAN, 2025)<br><strong>SLIKBACK <\/strong>&#8211; Snow (&#8220;Attrition&#8221;,Planet Mu, 2025)<br><strong>SADIE POWERS <\/strong>&#8211; Rabbit Hour (&#8220;Souvenir&#8221;, Room40, 2025)<br><strong>HARI MAIA<\/strong> &#8211; Nothing but the wind(&#8220;The Endless Hum&#8221;,A Guide To Saints, 2025)<br><strong>GABRIEL BRADY<\/strong> &#8211; Ordinary (&#8220;Day-blind&#8221;, Tonal Union, 2025)<br><strong>ANDY GRAYDON + KLAUS JANEK <\/strong>&#8211; Silcrow (&#8220;A Book of Waves&#8221;, Room40, 2025)<br><strong>ERIK GRISWOLD <\/strong>&#8211; Reverse With Piano Chords (&#8220;Next Level Avoidance&#8221;, Room40, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=68251617&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 23 ottobre 2025' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 157<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> CALIGO <\/mark> 09.10.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD157.jpg\" alt=\"\" class=\"wp-image-1777 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD157.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD157-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD157-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/10\/LOUD157-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>ANDREA TAEGGI<\/strong> &#8211; Woodplates (&#8220;Chaoticism You Can Do at Home&#8221;, 2025)<br><strong>ANDY GRAYDON + KLAUS JANEK<\/strong> &#8211; Mass D (&#8220;A Book of Waves&#8221;, Room40)<br><strong>GRAHAM LEWIS<\/strong> &#8211; Bang (&#8220;Alreet&#8221;,Upp Records, 2025)<br><strong>COSEY FANNI TUTTI<\/strong> &#8211; Stolen Times 2 (&#8220;2t2&#8221;, Conspiracy International, 2025)<br><strong>NADJA<\/strong> &#8211; She Ate His Dreams From The Inside &amp; Spat Out The Frozen Fucking Bones (&#8220;Cut&#8221;,ThisisMidira156, 2025)<br><strong>AKI ONDA<\/strong> &#8211; Screen Test (&#8220;In the Depth of Illusion- A Soundtrack for Nervous Magic Lantern&#8221;, Room40, 2025)<br><strong>E.G. OBLIQUE GRAPH <\/strong>&#8211; Murders Linked to Gaulist Clique (&#8220;Completely Oblique&#8221;, VOD, 2006)<br><strong>CABARET VOLTAIRE<\/strong> &#8211; Makes Your Mouth Go Funny (&#8220;Methodology 74-78&#8221;, Mute \u2013 CABS17CD, 2003)<br><strong>YEARNS<\/strong> &#8211; Mariana radar (&#8220;Fata Morgana&#8221;, Room40, 2025)<br><strong>ZIMOUN<\/strong> &#8211; Harmonium IV (&#8220;Harmonium I-VI&#8221;, Room40, 2025)<br><strong>RAMLEH <\/strong>&#8211; Forage (&#8220;Hyper Vigilance&#8221;, Sleeping Giant Glossolalia, 2025)<br><strong>SIAVASH AMINI<\/strong> &#8211; Sanguis Stilla (&#8220;Caligo&#8221;, Room40, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=68057804&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 09 ottobre 2025' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 156<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> PRIMAL IMAGE <\/mark> 25.09.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/09\/LOUD156-copia.jpg\" alt=\"\" class=\"wp-image-1771 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/09\/LOUD156-copia.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/09\/LOUD156-copia-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/09\/LOUD156-copia-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/09\/LOUD156-copia-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>MADELEINE COCOLAS<\/strong> &#8211; The Lion Gate (&#8220;Syndesis&#8221;, Room40, 2025)<br><strong>GIOVANNI DI DOMENICO &amp; RUTGER ZUYDERVELT<\/strong> &#8211; RE.01 (&#8220;Painting A Picture&#8221;, Moving Furniture Records), 2025)<br><strong>ALAN LAMB<\/strong> &#8211; Primal Image (&#8220;Archival Recordings &#8211; Primal Image\/Beauty&#8221;, Room40, 2025)<br><strong>WERNER DURAND<\/strong> &#8211; Queen Bee (&#8220;The Art Of Buzzing&#8221;,Magnatune, 2009)<br><strong>NURSE WITH WOUND <\/strong>&#8211; He went in a pug and came out a sausage (&#8220;Healsgebedda Budgerigar&#8221;,The state51 Conspiracy, CON100LP, 2025)<br><strong>DEMDIKE STARE<\/strong> &#8211; A Greater Name Is You (&#8220;To Cut and Shoot&#8221;, DDS, 2025)<br><strong>MATMOS <\/strong>&#8211; Norway Doorway (&#8220;Metallic Life Review&#8221;, Thrill Jockey, 2025)<br><strong>RELAY FOR DEATH<\/strong> &#8211; Intone the morph orb (&#8220;Mutual consuming&#8221;, The Helen Scarsdale Agency, 2025)<br><strong>PRIMEIRO &#8211;<\/strong> The Enthusiasm \/Appearance (&#8220;Music for Horses I &amp; II&#8221;, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=67849338&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 25 settembre 2025' frameborder='0'><\/iframe>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 155<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> TULIPS AND CHIMNEYS <\/mark> 26.06.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD155.jpg\" alt=\"\" class=\"wp-image-1759 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD155.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD155-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD155-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD155-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>LEAD INTO GOLD<\/strong> &#8211; Dripping from the hilt (&#8220;Knife The Ally&#8221;, Artoffact Records, 2025)<br><strong>TUNDE ADEBIMPE<\/strong> &#8211; God Knows (&#8220;Thee Black Boltz&#8221;, Sub Pop Records, 2025)<br><strong>THE CURE<\/strong> &#8211; Warsong (Chino Moreno Remix) (&#8220;Mixes Of A Lost World&#8221; , 2025)<br><strong>SEAWORTHY &amp; MATT R\u00d6SNER<\/strong> &#8211; Hidden Paths, Animal Tracks (&#8220;Deep Valley&#8221;, 12K 1102, 2024)<br><strong>GIUSEPPE IELASI &amp; RICCARDO D. WANKE<\/strong> &#8211; B (edit)(&#8220;With time, we learned to ask less&#8221;, HG2501,Hallow Ground, 2025)<br><strong>AMOSPHE\u0300RE<\/strong> &#8211; Land of eternal delight (&#8220;Cosmogonical Ears&#8221;, Hallow Ground, 2025)<br><strong>LEA BERTUCCI + OLIVIA BLOCK <\/strong>&#8211; The Number of the Sand (excerpt) (&#8220;I Know the Number of the Sand and the Measure of the Sea&#8221;, Room40, 2025)<br><strong>STEPHEN O&#8217;MALLEY<\/strong> &#8211; But remember what you have had (excerpt) (&#8220;But remember what you have had&#8221;, Portraits GRM, 2025)<br><strong>ANTHONY PATERAS<\/strong> &#8211; A Friend From the Deep #1,The Wind Comes From the East #2, The Silver Tree #1 (&#8220;Reise der Schatten&#8221;, Hallow Ground, 2025)<br><strong>MEITEI <\/strong>&#8211; Sen\u2019nyu\u0304 (&#8220;Yon-no-yu&#8221;, 2025)<br><strong>SHE SPREAD SORROW &amp; LUCA SIGURTA\u0300<\/strong> &#8211; the stairs (&#8220;The Grimorian Tapes&#8221;, The Helen Scarsdale Agency, 2025)<br><strong>SOPHIE AGNEL &amp; JOKE LANZ <\/strong>&#8211; Tulips and Chimneys (&#8220;Ella&#8221;, Klanggalerie, 2025)<br><strong>JOKE LANZ<\/strong> &#8211; Schlaaff=Chliine=Toot (&#8220;Zungsang&#8221;, Vice De Forme \u2013 VF08, 2021)<br><strong>KENNETH KIRSCHNER <\/strong>&#8211; XI (&#8220;April 27, 2023 &#8211; 11 April 27, 2023&#8221;, Room40 DRM4192, 2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=66738447&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 26 giugno 2025' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 154<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> DOORS OF PERCEPTION <\/mark> 12.06.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD154.jpg\" alt=\"\" class=\"wp-image-1754 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD154.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD154-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD154-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/06\/LOUD154-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>MARK MOLNAR<\/strong> &#8211; Sub Luna (&#8220;Exo&#8221;, Constellation CST185, 2025)<br><strong>AVA RABIAT <\/strong>&#8211; Jestem Tu (&#8220;Elektro Erotyk&#8221;,FUU012, 2025)<br><strong>\u00d8JERUM<\/strong> &#8211; Til Vinden I Dine \u00d8jne (excerpt) (&#8220;Til Vinden I Dine \u00d8jne&#8221;, Room 40, 2025)<br><strong>LAIBACH<\/strong> &#8211; Doors of perception (&#8220;Alamut&#8221;, Mute \u2013 CDSTUMM506, 2025)<br><strong>GABRIEL BRADY <\/strong>&#8211; Ambrosial (&#8220;Day-blind&#8221;, Tonal Union, 2025)<br><strong>ANEDONE<\/strong> &#8211; Different Levels of Life (&#8220;For a quiet man&#8221;, 2024)<br><strong>TROY VON BALTHAZAR <\/strong>&#8211; Let&#8217;s Not Forget to Panic (&#8220;Aloha Means Goodbye&#8221;, Vicious Circle, REVERB 173, 2025))<br><strong>NOE\u0301MI BU\u0308CHI <\/strong>&#8211; Disappointing The Desire To Last (&#8220;Liquid Bones&#8221;, OUS054, 2025<br><strong>FREDRIK RASTEN <\/strong>&#8211; VI-XIII excerpt (last 7 minutes) (&#8220;Strands of lunar light&#8221;, Aspen Editions; Aspen 021, 2025)<br><strong>STEFAN GOLDMANN<\/strong> &#8211; Healer (&#8220;Live At Borusan M\u00fczik Evi&#8221;, Macro \u2013 MACRO M80, 2025)<br><strong>ILPO VA\u0308ISA\u0308NEN<\/strong> &#8211; Vallitseva (2025 Remaster) (&#8220;Asuma&#8221;(2025 Remaster), Editions Mego \u2013 037, 2025)<br><strong>MIKE COOPER <\/strong>&#8211; Atahualpa (&#8220;Eternal Equinox&#8221;, room 40, 2025)<br><strong>LUCIANI DAVIDE &amp; JORGE QUINTELA<\/strong> &#8211; Andromeda Courtyard (&#8220;The Right Half&#8221;,Mote Studio, MOTE EDITIONS 003, 2025)<br><strong>JUDITH HAMANN<\/strong> &#8211; Schloss, night (&#8220;Aunes&#8221;, Shelter Press \u2013 SP157, 2025)<br><strong>GIOVANNI LAMI <\/strong>&#8211; Frammenti Di Schiuma (&#8220;Eikon&#8221;, Kohlhaas, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=66524625&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 12 giugno 2025' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 153<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> NIGHT AS DAY <\/mark> 29.05.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD153.jpg\" alt=\"\" class=\"wp-image-1748 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD153.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD153-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD153-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD153-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>STEVE VON TILL <\/strong>&#8211; Old bent pine (&#8220;Alone In A World Of Wounds&#8221;, Neurot Recordings \u2013 NR134, 2025)<br><strong>CHRISTIAN WINTHER, ANJA LAUVDAL, ESPEN REINERTSEN<\/strong> &#8211; Hum (&#8220;Night As Day Day As Night&#8221;, CD SOFA 604, 2025)<br><strong>SINEMIS<\/strong> &#8211; Farewell (&#8220;Storm Before the Calm&#8221;, INJA024, Injazero Records, 2025)<br><strong>DEAF CENTER<\/strong> &#8211; Erie (&#8220;Reverie&#8221;, Pattern 013 , Sonic Pieces, 2025)<br><strong>ASHER <\/strong>&#8211; Untitled Fictions I.IV (&#8220;Untitled Fictions I &#8220;, Room 40, 2025)<br><strong>ZERO KAMA<\/strong> &#8211; What Is A Body (&#8220;What Is A Body?&#8221;, Infinite Fog Productions, IF-122CD, 2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=66323102&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 29 maggio 2025' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 152<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> REPEAT BETWEEN MIRRORS <\/mark> 15.05.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD152.jpg\" alt=\"\" class=\"wp-image-1732 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD152.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD152-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD152-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/05\/LOUD152-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>AMBY DOWNS<\/strong> &#8211; Mammang (&#8220;kinjarling studies- soundtracks (five years on)&#8221;, Room 40, 2025)<br><strong>VIOLETA GARCIA &amp; HORA LUNGA <\/strong>&#8211; Tuesday Gossip (&#8220;I\u2019ll Wait For You In The Car Park&#8221;, OUS, OUS055, 2025)<br><strong>TAVARE &#8211; You Are All At Once<\/strong> (&#8220;Too Small To Be So High&#8221;, God Unknown \/ Cruel Nature \/ Katuktu Collective , 2025)<br><strong>HARVESTMAN<\/strong> &#8211; Herne&#8217;s Oak (&#8220;Triptych &#8211; Part Three&#8221;, Neurot Recordings \u2013 NR132, 2024)<br><strong>EX-EASTER ISLAND HEAD <\/strong>&#8211; Golden bridges (&#8220;Norther&#8221;, Rocket Recordings \u2013 LAUNCH342CD, 2024)<br><strong>HU\u0308MA UTKU<\/strong> &#8211; Comfort Of The Shadows (&#8220;Dracones&#8221;, Editions Mego, 2025)<br><strong>XYRAMAT <\/strong>&#8211; Micro (ESkalation!&#8221;, 20259<br><strong>BECKER RASHAD<\/strong> &#8211; tdeadlock (&#8220;The incident&#8221;, Clunk \u2013 clunk001, 2025)<br><strong>TOMAS JA\u0308RMYR <\/strong>&#8211; Entrails (Short edit 1) (&#8220;Entrails&#8221;, Lamour Records \u2013 lamour191cd, 2024)<br><strong>WILL PARKER <\/strong>&#8211; Repeat Between Mirrors (&#8220;Red Lake Black Mine&#8221;,Difficult Art And Music, 2025)<br><strong>SCOLPAIG<\/strong> &#8211; Spaceport Seven (&#8220;Spaceport One&#8221;, Difficult Art And Music, 2025)<br><strong>RAN SLAVIN <\/strong>&#8211; Wonder and Peril (&#8220;Inner Weather&#8221;, Nocturnal Rainbow Recordings, NRR32,2025)<br><strong>GENERAL MAGIC<\/strong> &#8211; Club Duchamp (&#8220;Bosko&#8221;, Editions Mego, 2025)<br><strong>ANDREA PARKINS\/ELIAD WAGNER<\/strong> &#8211; Spin (&#8220;Drag Drop Spin &amp; Crawl&#8221;, Superpang, 2025)<br><strong>T. GOWDY<\/strong> &#8211; Anonymous V (&#8220;Trill Scan&#8221;, Constellation CST181, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=66055113&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' title='LOUD - 15 maggio 2025' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 151<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> THIS ROOM SEEMS EMPTY <\/mark> 17.04.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD151.jpg\" alt=\"\" class=\"wp-image-1722 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD151.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD151-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD151-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD151-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>DEAD LETTERS SPELL OUT DEAD WORDS<\/strong> &#8211; This Room Seems Empty Without You (&#8220;Lost In Reflections&#8221;, Killer Pimp \u2013 PIMPK010, 2009)<br><strong>DAIMON<\/strong> &#8211; Cat (&#8220;Ellipse&#8221;, Dissipatio, Diss029, 2025)<br><strong>THE SODALITY<\/strong> &#8211; Unburdened (&#8221; Unburdened Underpass&#8221;, 2023)<br><strong>SHANE EMBURY <\/strong>&#8211; Own your darkness (&#8220;Neon Gods \/ Own Your Darkness&#8221;, Cold Spring, 2025)<br><strong>SISSY SPACEK<\/strong> &#8211; Trancher and the Inheritors (&#8220;Entrance&#8221;, Shelter Press \u2013 SP161CD,2025)<br><strong>SENZA TESTA<\/strong> &#8211; Pralaya I (&#8220;Pralaya&#8221;, Djupviks Elektronik \u2013 DE-23, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=65591518&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 150<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> CLOSING OUR EYES <\/mark> 03.04.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD150.jpg\" alt=\"\" class=\"wp-image-1710 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD150.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD150-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD150-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/LOUD150-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>YUKI FUJIWARA<\/strong> &#8211; Gloss Phew (&#8220;Glass Colored Lily&#8221;, Defkaz fk021, 2025)<br><strong>ALEX ZETHSON \/ NIKOS VELIOTIS<\/strong> &#8211; CRYO I (excerpt) (&#8220;CRYO&#8221;, Thanatosis Produktion THT37, 2025)<br><strong>THERESA WONG <\/strong>&#8211; Prayer to Avalokites\u0301vara (&#8220;Journey to the Cave of Guanyin&#8221;, Room 40, 2025)<br><strong>RAMM<\/strong> &#8211; Disturbed Tea Time (&#8220;Bound To Never Rest&#8221;, Eiga, 2025)<br><strong>GIUSEPPE IELASI <\/strong>&#8211; 05 (&#8220;Down On Darkened Meetings&#8221;, Black Truffle \u2013 BT102, 2023)<br><strong>SCANNER &amp; NURSE WITH WOUND<\/strong> &#8211; Mezereum (&#8220;Contrary Motion&#8221;, 2025)<br><strong>COH &amp; MIDORI HIRANO<\/strong> &#8211; Sudden Fruit (&#8220;Sudden Fruit&#8221;, Ici d\u2019ailleurs \/ Mind Travels MT21, 2025)<br><strong>CLEO T.<\/strong> &#8211; IX. Soudain le ciel (&#8220;Des fore\u0302ts et des re\u0302ves&#8221;, Moonflowers\/Budde Music, 2025)<br><strong>EZEKIEL HONIG<\/strong> &#8211; Editing Is A Lifelong Process (&#8220;Unmapping The Distance Keeps Getting Closer&#8221;, CD 12K 1103, 2025)<br><strong>SARAH DAVACHI <\/strong>&#8211; Brasse Brevis (excerpt) (&#8220;Banshee &#8211; Basse Brevis&#8221;, Portraits GRM, 2025)<br><strong>FRANC\u0327OIS J. BONNET <\/strong>&#8211; Banshee (excerpt) (&#8220;Banshee &#8211; Basse Brevis&#8221;, Portraits GRM, 2025)<br><strong>PRIMO\u017d BON\u010cINA &amp; PHIL MAGUIRE <\/strong>&#8211; (Vangelis) Acolyte (with Dylan Desmond) (&#8220;Stone and Worship&#8221;, Cloud-chamber Recordings CC51, 2025)<br><strong>DEISON CRANIOCLAST<\/strong> &#8211; Acid Necrosis Tonal (&#8220;Cold Star a Noise Inc.&#8221;, 13, 2025)<br><strong>HIROSHI EBINA<\/strong> &#8211; Hammersh\u00f8i_s room (&#8220;Into the Darkness of the Night&#8221;, Kitchen Label KI-044, 2025)<br><strong>PHILIPPE PETIT<\/strong> &#8211; Closing Our Eyes, part 11 (&#8220;Closing Our Eyes&#8221;, CR\u00d3NICA 233, 2025)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=65398087&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 149<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> EVERY LIFE IS A LIGHT <\/mark> 20.03.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD149.jpg\" alt=\"\" class=\"wp-image-1700 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD149.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD149-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD149-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD149-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>GOLEM MECANIQUE<\/strong> &#8211; Il giorno prima (&#8220;Siamo tutti in pericolo&#8221;,Ideologic Organ \u2013 SOMA058LP, 2025)<br><strong>AIDAN BAKER<\/strong> &#8211; You Say You Can See Inside Me (&#8220;&amp; You Still Fall In&#8221; Gizeh Records, GZH119, 2025)<br><strong>WILL SAMSON <\/strong>&#8211; Faris And The Olive Buds (&#8220;Songs Of Beginning And Belonging&#8221; Dauw, DAUW 72LP<br><strong>DAVID WALLRAF<\/strong> &#8211; Petrolio (&#8220;Crudelta\u0301 Necessaria&#8221;, Karlrecords \u2013 KR119, 2025)<br><strong>PUCEMOMENT<\/strong> &#8211; Hashiri Mai (&#8220;Sans Soleil&#8221;, Grec 20, Parenth\u00e8ses Records 2025)<br><strong>BENJAMIN FULWOOD<\/strong> &#8211; Black Willow (&#8220;The Stars Are Very Far Away From All Of This&#8221;, Room40, 2025)<br><strong>AMP<\/strong> &#8211; Ambient (&#8220;Ambient Love Darkness Share&#8221;, Van Steene Music\/Kobalt, 2025)<br><strong>JUDITH HAMANN<\/strong> &#8211; Seventeen fabrics of measure (&#8220;Aunes&#8221;, Shelter Press \u2013 SP157, 2024)<br><strong>RIVET<\/strong> &#8211; We Left Before We Came (&#8220;Peck Glamour&#8221;, Editions Mego \u2013 eMEGO 317, 2025)<br><strong>ILINX <\/strong>&#8211; Game B2-9 X P1 (&#8220;Flipperen&#8221;, Futura Resistenza, 2025)<br><strong>JONI VOID<\/strong> &#8211; Muffin- A Song For My Cat (&#8220;Every Life Is A Light&#8221;, Constellation CST182, 2025)<br><strong>GIANNI MAROCCOLO<\/strong> &#8211; Imus (&#8220;Alone Vol. II Abisso&#8221;, Contempo Records \u2013 C01032LP, 2019)<br><strong>DETONAZIONE<\/strong> &#8211; Pioggia Fredda (&#8220;Ultimi Pezzi&#8221;, Tunnel Records, NTR 02, 1989)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=64974035&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 148<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> BLUE SPRING <\/mark> 06.03.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD148.jpg\" alt=\"\" class=\"wp-image-1686 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD148.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD148-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD148-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/03\/LOUD148-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>TIPOGRAFIA SONORA<\/strong> &#8211; Rami spogli (&#8220;Tipografia Sonora&#8221;, 51 beats-51VIN006, 2025)<br><strong>PAINKILLER<\/strong> &#8211; Forks in the Road (&#8220;The Equinox, Tzadik \u2013 TZ 9319, 2025)<br><strong>SWANS<\/strong> &#8211; Leaving meaning (&#8220;Live rope&#8221;, Young God Records \u2013 YGX2024, 2024)<br><strong>400 LONELY THINGS<\/strong> &#8211; Many Ran (&#8220;Children of Eidolon&#8221;, Room40 , 2025)<br><strong>JACOB KIRKEGAARD<\/strong> &#8211; Scavenge (&#8220;Snowblind&#8221;, Helen Scarsdale Agency \u2013 HMS075, 2025)<br><strong>MARTINA BERTONI <\/strong>&#8211; Nr. 1 Omen In G (&#8220;Electroacoustic Works for Halldorophone&#8221; Karlrecords \u2013 KR118, 2025)<br><strong>OLGA ANNA MARKOWSKA<\/strong> &#8211; Blue Spring (&#8220;Iskra&#8221;, MIA LP 060, Miasmah Recordings, 2025<br><strong>BENJAMIN FULWOOD <\/strong>&#8211; Speedboat (&#8220;The Stars Are Very Far Away From All Of This&#8221; , Room 40,SNT037, 2025)<br><strong>NATE WOOLEY<\/strong> &#8211; Acacia Burnt Myrrh (&#8220;Henry House&#8221;, Ideologic Organ, 2025)<br><strong>EMMANUEL MIEVILLE<\/strong> &#8211; Itiandi (&#8220;Travelog to Asia&#8221;, Sublime Retreat, 2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=64710858&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 147<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> BLOODY SOUND <\/mark> 20.02.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD147.jpg\" alt=\"\" class=\"wp-image-1663 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD147.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD147-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD147-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD147-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>WJERSTEAN<\/strong> &#8211; kto prosnutsya ne smog (&#8220;Raspad&#8221; NEN, NEN157, 2024)<br><strong>TACET TACET<\/strong> &#8211; 1 &#8211; Gamble (&#8220;Fickle&#8221;, Bloody Sound Fucktory, 2025)<br><strong>STEFAN GOLDMANN<\/strong> &#8211; Series Delta (&#8220;Scale and Scope&#8221; Kymata EK002, 2024)<br><strong>SIMON GRAB X DAVID MEIER<\/strong> &#8211; Stream (&#8220;Poroes&#8221;, OUS, 2025)<br><strong>PAINKILLER <\/strong>&#8211; Samsara III (&#8220;Samsara&#8221;, Tzadik, 2024)<br><strong>EIKO ISHIBASHI<\/strong> &#8211; Missing V.2 (&#8220;Evil Does Not Exist&#8221;, Drag City Inc., 2024)<br><strong>MONO<\/strong> &#8211; Run On (&#8220;Oath&#8221;, Pelagic Records, 2024)<br><strong>FIRE<\/strong> &#8211; the dark inside of cabbage (&#8220;Testament&#8221;, Rune Grammofon, 2024)<br><strong>THURSTON MOORE<\/strong> &#8211; The Diver (&#8220;Flow Critical Lucidity&#8221;, Daydream Library Series, 2024)<br><strong>FLIN VAN HEMMEN <\/strong>&#8211; Luxury of Mind (&#8220;Luxury of Mind&#8221;, 2024)<br><strong>GOLEM MECANIQUE <\/strong>&#8211; La notte (\u201cSiamo tutti in pericolo\u201d, Ideologic Organ, 2025)<br><strong>JO DAVID MEYER LYSNE<\/strong> &#8211; IV (&#8220;For renstemt klaver&#8221;, Hubro HUBROCD2665, 2025)<br><strong>EZEKIEL HONIG <\/strong>&#8211; Reconstruction Part 2 (\u201cUnmapping The Distance Keeps Getting Closer\u201d, 12K 1103, 2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=64448494&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 146<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> SLOW MOTION LIGHTNING <\/mark> 06.02.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD146.jpg\" alt=\"\" class=\"wp-image-1656 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD146.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD146-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD146-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/02\/LOUD146-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>FENNESZ<\/strong> &#8211; Loved And The Framed Insects (&#8220;Mosaic&#8221;,Touch-TO:125, 2024)<br><strong>FONOGRAFIE PRAGMA<\/strong> &#8211; Sidaram (&#8220;Archivio I&#8221;, st.an.da.2463, 2024)<br><strong>SPHERIC<\/strong> &#8211; Neutrinos (&#8220;Poem of the atoms&#8221;, st.an.da 2462, 2024)<br><strong>FRANCESCO GIANNICO\/ANACLETO VITOLO <\/strong>&#8211; or smarter (&#8220;There Is No Longer Any Turning Back&#8221;, 13\/sps2490, 2024)<br><strong>TRENT REZNOR AND ATTICUS ROSS<\/strong> &#8211; Love (&#8220;Queer&#8221; (Original Score)<br><strong>ACHIM WOLLSCHEID <\/strong>&#8211; Untitled 4 (&#8220;Airs &#8220;, Ritornell \u2013 RIT 04, 1999)<br><strong>FILER COLEMAN<\/strong> &#8211; Terrain (&#8220;Below-Light&#8221;, 13, sps2489, 2024)<br><strong>BEN GLAS <\/strong>&#8211; A Polytemporal Clock (Spatio-polyrhythmic Breathing Room) (&#8220;Music For Listeners&#8221;, Room 40, 2024)<br><strong>DISTURBIO<\/strong> &#8211; Topos (&#8220;Les Mauvaises Fre\u0301quentations&#8221;, Klanggalerie GG474, 2024)<br><strong>MIKE COOPER<\/strong> &#8211; My Bones And My Flute (&#8220;Slow Motion Lightning&#8221;, Room40 RM4242, 2024)<br><strong>KLARA LEWIS <\/strong>&#8211; 4U (Lokalfra\u030agan Remix) (&#8220;Thankful Remixes&#8221;, 2024)<br><strong>TOUT<\/strong> &#8211; But what I let her in (&#8220;Fourth&#8221;, Trestle rec, 2024)<br><strong>BLACK RAIN<\/strong> &#8211; Ninsei (&#8220;Neuromancer&#8221;, Room40 RM4237, 2024)<br><strong>BALDINI-DAFELDECKER-STRU\u0308VER<\/strong>&#8211; Drehimpuls I (&#8220;Prismatic&#8221;, Room 40, 2024)<br><strong>PHILIP SAMARTZIS AND MICHAEL VORFELD<\/strong> &#8211; Depression (&#8220;Air Pressure&#8221;, Room 40, 2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=64206536&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 145<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> UNA STORIA VERA\/THE STRAIGHT STORY <\/mark> 23.01.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD_145_LYNCH.jpg\" alt=\"\" class=\"wp-image-1645 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD_145_LYNCH.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD_145_LYNCH-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD_145_LYNCH-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD_145_LYNCH-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>DAVID LYNCH &amp; ALAN SPLET<\/strong> &#8211; In Heaven (Lady in the Radiator Song) (from &#8220;Eraserhead &#8220;, 1982)<br><strong>JULEE CRUISE<\/strong> &#8211; Mysteries of Love (from \u201c Blue Velvet\u201d, 1986)<br><strong>KOKO TAYLOR<\/strong> &#8211; Up in Flames (from \u201c Cuore selvaggio\u201d, 1990)<br><strong>ANGELO BADALAMENTI<\/strong> &#8211; Twin Peaks Theme (Alternate Version) (from \u201cI Segreti di Twin Peaks, 1991)<br><strong>ANGELO BADALAMENTI<\/strong> &#8211; Laura Palmer\u2019s Theme (from \u201cI Segreti di Twin Peaks, 1991)<br><strong>ANGELO BADALAMENTI<\/strong> &#8211; The Pink Room (from \u201c Twin Peaks &#8211; Fire Walk With Me&#8221;, 1992)<br><strong>ANGELO BADALAMENTI<\/strong> &#8211; Dub Driving ( from \u201cStrade Perdute)<br><strong>ANGELO BADALAMENTI<\/strong> &#8211; Laurens Walking (from \u201cUna storia Vera)<br><strong>ANGELO BADALAMENTI &amp; DAVID LYNCH<\/strong>  &#8211; Dwarfland Love theme (from &#8220;Mulholland Dr.&#8221;, 2008)<br><strong>REBEKAH DEL RIO<\/strong> &#8211; Llorando (Crying) (from &#8220;Mulholland Dr.&#8221;, 2008)<br><strong>DAVID LYNCH and JOHN NEFF<\/strong> &#8211; Go get some (from &#8220;Mulholland Dr.&#8221;, 2008)<br><strong>DAVID LYNCH<\/strong> \u2013 Walkin\u2019 on the sky (from \u201cInland Empire\u201d, 2006)<br><strong>DAVID LYNCH<\/strong> \u2013 Call from the Past (from \u201cInland Empire\u201d, 2006)<br><strong>BLUEBOB<\/strong> &#8211; I Cannot Do That (from \u201cBlueBob\u201d, 2011)<br><strong>DAVID LYNCH (with&nbsp;Dean Hurley)<\/strong> &#8211; Porticos (from &#8220;The Air Is On Fire&#8221;, 2007)<br><strong>DAVID LYNCH<\/strong> \u2013 Whishin Well (from &#8220;The Big Dream&#8221;, 2013)<br><strong>DAVID LYNCH<\/strong> \u2013 I know (&#8220;from Crazy Clown Time&#8221;, 2011)<br><strong>CHRYSTA BELL Produced By DAVID LYNCH<\/strong> \u2013 This Train (from This Train&#8221;, 2011)<br><strong>THOUGHT GANG<\/strong> \u2013 One dog Bark (from &#8220;Thought Gang&#8221;, 2018)<br><strong>CHRYSTA BELL &amp; DAVID LYNCH<\/strong> &#8211; She Knew (from &#8220;Cellophane Memories&#8221;, 2024)<br><strong>PANKOW<\/strong> \u2013 In Heaven &#8211; Everything Is Fine (from &#8220;Freiheit Fuer Die Sklaven&#8221;, 1987)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=64030234&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOUD!  # 144<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff9305\" class=\"has-inline-color\"> DRIFTING CLOUDS <\/mark> 09.01.2025<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"794\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD144.jpg\" alt=\"\" class=\"wp-image-1632 size-full\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD144.jpg 794w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD144-300x300.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD144-150x150.jpg 150w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/01\/LOUD144-768x768.jpg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>AIDAN BAKER<\/strong> &#8211; Dusk (&#8220;Children of The Sun OST&#8221;, 2024)<br><strong>DRIFTWOOD<\/strong> &#8211; Towards The Colour Of The Sky (&#8220;Driftwood&#8221;, Room40 DRM4205, 2024)<br><strong>RAFAEL TORA<\/strong>L &#8211; Changes (&#8220;Spectral Evolution&#8221;, Moikai \u2013 M14CD, 2024)<br><strong>GODSPEED YOU! BLACK EMPEROR<\/strong> &#8211; Pale Spectator Takes Photographs (&#8220;No Title As Of 13 February 2024, 28,340 Dead &#8220;, Constellation, CST183, 2024)<br><strong>DANIEL M KARLSSON<\/strong> &#8211; At Eric Ericsonhallen (&#8220;Towards a Music for Large Ensemble&#8221;, F\u00f6nstret\u201414, 2024)<br><strong>WILLIAM FOWLER COLLINS<\/strong> &#8211; The Church Steps In Montreuil (&#8220;The Devil And The River, Volume One&#8221;, Karlrecords KR112, 2024)<br><strong>MICH GERBER<\/strong> &#8211; Drifting Clouds (excerpt) (&#8220;Drifting Clouds&#8221;, Everest Records er_lp_120, 2024)<br><strong>ALAN LAMB<\/strong> &#8211; Meditation On SPring 8 (&#8220;Night Passage&#8221;, Room40 RM4239, 2024)<br><strong>MICROTUB<\/strong> &#8211; Andersabo Part 3 (&#8220;Thin Peaks&#8221;, Thanatosis Produktion THT35,2024)<br><strong>LUKAS DE CLERCK<\/strong> &#8211; The Cats of Medir (&#8220;The Telescopic Aulos of Atlas&#8221;, Ideologic Organ SOMA046,2024)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe src='https:\/\/widget.spreaker.com\/player?episode_id=63609186&#038;theme=dark&#038;chapters-image=true' width='100%' height='200px' frameborder='0'><\/iframe>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"loud-85-songs-of-salvation-27-01-2022\"><\/h2>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>ARCHIVE: 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | 2024 | 2025 | 2026 LOUD! # 162 MAGNIFICUT 18.12.2025 LOUD! # 161 DAY BLIND 04.12.2025 LOUD! # 160 MUSIQUE IMMOBILES 20.11.2025 LOUD! # 159 FALLEN DUSK 06.11.2025 LOUD! # 158 DAY BLIND 23.10.2025 LOUD! # 157 CALIGO 09.10.2025 LOUD!&hellip;&nbsp;<a href=\"https:\/\/www.deison.net\/index.php\/loud-radio-episodes-2025\/\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">LOUD! RADIO EPISODES 2025<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-1627","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/1627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/comments?post=1627"}],"version-history":[{"count":38,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/1627\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/1627\/revisions\/1876"}],"wp:attachment":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/media?parent=1627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}