{"id":1100,"date":"2022-01-18T19:47:14","date_gmt":"2022-01-18T18:47:14","guid":{"rendered":"https:\/\/www.deison.net\/?page_id=1100"},"modified":"2025-04-04T18:46:55","modified_gmt":"2025-04-04T16:46:55","slug":"magnetic-debris-vol-1-2","status":"publish","type":"page","link":"https:\/\/www.deison.net\/index.php\/magnetic-debris-vol-1-2\/","title":{"rendered":"Magnetic Debris vol. 1 &#038; 2"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-right\" id=\"deison\">DEISON <\/h2>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\" id=\"2cd-dissipatio-2022\">(2CD, Dissipatio, 2022)<\/h4>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"903\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-1024x903.jpg\" alt=\"\" class=\"wp-image-1076\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-1024x903.jpg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-300x265.jpg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-768x677.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low-1536x1355.jpg 1536w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/magnetic12_low.jpg 1663w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">MAGNETIC DEBRIS VOL.1&amp;2<\/figcaption><\/figure>\n<\/div>\n\n\n<iframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1185172252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/deison.bandcamp.com\/album\/magnetic-debris-vol-1-2\">Magnetic Debris vol.1 &amp; 2 by Deison<\/a><\/iframe>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"http:\/\/itunes.apple.com\/album\/id\/1806570271\"><img decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg.png\" alt=\"\" class=\"wp-image-1712\" style=\"object-fit:cover;width:50px;height:50px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg.png 512w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg-300x300.png 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2025\/04\/pngegg-150x150.png 150w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-large\" id=\"wp-block-themeisle-blocks-image-cb71708d\"><img decoding=\"async\" width=\"1024\" height=\"701\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227497_10-1024x701.jpeg\" alt=\"\" class=\"wp-image-1079\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227497_10-1024x701.jpeg 1024w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227497_10-300x205.jpeg 300w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227497_10-768x526.jpeg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/01\/0027227497_10.jpeg 1315w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><br>Tracklist<\/p>\n\n\n\n<p>1 Here Echo<br>2 Nothing Is Real<br>3 Hidden Light<br>4 Object 67<br>5 Reverso<br>6 Magnetique<br>7 Black Tape<br>8 Memory Loss<br>9 A Missing Dynamic Behaviour<br>10 Interno Camera d\u2019Aria<br>11 Magneto Pause<br>12 Interior Wreckage<br>13 Dust Particles<br>14 Detrito Finale<\/p>\n\n\n\n<p class=\"has-small-font-size\">\u201cMagnetic Debris\u201d is a collection of audio works mainly based on the editing of old archived tape loops and &#8220;found&#8221; magnetic sounds. This material as main reference was subjected to multi-channel treatments, re assembled and mixed along with audio generators, and various electronic devices. These processed debris explores drone territories as a concrete atmospheric soundtrack full of tension with a sense of mystery and a melancholic beauty.<br>Recorded and assembled in 2018, this double album has been mastered by James Plotkin.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe title=\"Deison - Nothing is real - Magnetic Debris vol.1 - Dissipatio 005\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ClnpPqXeNhM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"magnetic-debris-su-ver-sacrum\">MAGNETIC DEBRIS  RECENSIONE DI VITTORE BARONI<\/h4>\n\n\n\n<p class=\"has-text-align-justify\">Nel nuovo doppio CD &#8220;Magnetic Debris Vol. 1 &amp; 2&#8221; (Dissipatio) Cristiano Deison raccoglie una selezione di &#8220;detriti&#8221; di qualit\u00e0, rivisitando e rielaborando materiali d&#8217;archivio che risalgono fino al 1997, in un viaggio nella memoria che fa il punto sull&#8217;esperienza affinata dall&#8217;autore in diverse aree sonore negli ultimi trent&#8217;anni. Si parte nel CD 1 da territori propri a Philip Jeck (puntine che saltano, vinili scricchiolanti, glitch vintage) presto addizionati a dark ambient di lusmordiana potenza, profonde scosse sotterranee ma anche geometrie di acuti suoni cristallini, spigolose composizioni basate su trattamenti di suoni originati da oggetti e lastre metalliche come pure (quasi) rasserenante drone ambient notturna, integrando l&#8217;altero distacco e la precisione millimetrica di progressioni memori di maestri dell&#8217;elettronica contemporanea &#8220;colta&#8221; con l&#8217;energia dinamica di chi \u00e8 cresciuto anche con passioni extra-colte industrial-noise-metal. Un gran bel lavoro insomma, in parte ricapitolativo, di cui ringrazio l&#8217;amico Nicola Quiriconi sempre pi\u00f9 attivo con la sua etichetta Dissipatio.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"magnetic-debris-su-ver-sacrum\">MAGNETIC DEBRIS  SU VER SACRUM<\/h4>\n\n\n\n<p class=\"has-text-align-justify\">Deison \u00e8 uno storico sperimentatore musicale italiano (nato a Udine nel 1971) da pi\u00f9 di 25 anni. Ha un approccio particolare alla materia sonora che lo ha portato a sperimentare dei bizzarri collages registrati su cassetta. Ha alle spalle collaborazioni di prestigio con artisti come Lasse Marhaug, KK Null, Teho Teardo, Thurston Moore, John Duncan ed altri. Ma ha unito le energie anche con nomi della scena sperimentale italiana fra cui Maurizio Bianchi, Gianluca Becuzzi, Simon Balestrazzi e Gianluca Favaron. Il suo nuovo doppio cd, appena uscito per la Dissipatio ed intitolato&nbsp;<em>Magnetic Debris<\/em>, \u00e8 una collezione di vecchio materiale che viene qui rimodellato e plasmato dandogli una nuova veste estetica. Il risultato finale suona molto d\u2019atmosfera che dona un tocco di mistero all\u2019insieme. Il disco \u00e8 stato assemblato durante il 2018 e masterizzato da James Plotkin. Alcune tracce sono veramente particolari come \u201cNothing Is Real\u201d dove \u00e8 stato usato un vinile rotto che \u00e8 stato poi distrutto. In \u201cReverso\u201d possiamo invece ascoltare il suono di oggetti di metallo. Anche nel secondo dischetto troviamo molte sorprese: in \u201cMagneto Pausa\u201d viene usato lo stesso vinile di \u201cNothing Is Real\u201d mentre \u201cInterior of Wreckage\u201d contiene il suono processato e riprocessato di 4 differenti cassette. Ma forse la traccia pi\u00f9 affascinante di&nbsp;<em>Magnetic Debris<\/em>&nbsp;\u00e8 \u201cDust Particles\u201d in quanto \u00e8 stata registrata dal vivo all\u2019interno di un bunker della seconda guerra mondiale. La musica di \u201cDust Particles\u201d sarebbe piaciuta di sicuro allo scrittore di fantascienza James Graham Ballard che, in&nbsp;<em>La mostra delle atrocit\u00e0<\/em>&nbsp;ha dedicato parole ispirate per descrivere i bunker nazisti del Vallo atlantico definiti \u201cCattedrali dell\u2019era spaziale\u201d che \u201cSembrano contenere i codici di qualche misterioso processo mentale\u201d. Siamo di fronte ad un album che verr\u00e0 apprezzato da quello zoccolo durissimo che ama la ricerca e la musica drone.&nbsp;(<a href=\"https:\/\/www.versacrum.com\/vs\/2022\/01\/deison-magnetic-debris.html\" target=\"_blank\" rel=\"noreferrer noopener\">LINK<\/a>)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"magnetic-debris-su-ver-sacrum\">MAGNETIC DEBRIS  ON VITAL WEEKLY<\/h4>\n\n\n\n<p class=\"has-text-align-justify\">Ah! Am I correct to assume that Deison is a&nbsp; household name on these pages by now? Over the years, I reviewed quite a bit of his work, going from strength to strength. On this new release, Italian musician Deison delves into his archives, which are no doubt vast, and on these CDs, we don&#8217;t find finished pieces from the old tapes, but rather blocks of old sounds, being re-used, re-mixed, re-configurated into new music. Multi-channel pieces are torn apart, and sounds are used for something new. Some of these pieces use sound from 1997, from old four-track tapes, but also recordings of magnetic interference. Liner notes such as these make an interesting read, especially when it&#8217;s like this: &#8220;Memory Loss contains a piano loop recorded on tape in 1997&#8221;. You play the piece and don&#8217;t recognize any piano. I love stuff like that. The first CD is forty minutes, the second forty-six, so it could all fit on one disc with a bit of editing, but who am I to complain?<br>&nbsp;&nbsp;&nbsp; Deison&#8217;s music can be classified as working with dark space, a black hole if you will. Each of the fourteen pieces is a variation of shimmering darkness. Be it a computerized, granulated drone, or heavily treated field recordings (or not? &#8220;Interno Camera d\u2019Aria is an edited version of an indefinable unreleased impro track created in 2006&#8221;) or percussion and guitars being slowed down ad Infinitum. The latter instrument seems to play a bigger role on the first disc than on the second. It also seems that the first disc has some louder music, when Deison covers musical ground covered by early Organum. Sound sources include &#8220;broken and then destroyed vinyl&#8221; (which made me scratch my head), which still sounds like vinyl. Everything sounds like nuclear dust covers and obscures the proceedings, but it&#8217;s that ash grey quality that fits the cold winter&#8217;s day perfectly (as long, of course, as you can stay inside and listen to the soundtrack; you shouldn&#8217;t suffer cold weather). Please don&#8217;t think there is any variation here. &#8216;Hidden Light&#8217;, with its higher piercing drones, sounds completely different from the non-moving &#8216;Dust Particles&#8217;. Parameters shift and move, and it delivers some great music. (FdW) (<a href=\"http:\/\/www.vitalweekly.net\/1321.html\" target=\"_blank\" rel=\"noreferrer noopener\">LINK<\/a>)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"magnetic-debris-su-ver-sacrum\">MAGNETIC DEBRIS  ON BORING LIKE A DRILL<\/h4>\n\n\n\n<p class=\"has-text-align-justify\">While almost all of our musical experience is now electronically mediated, we still think of it as a primarily acoustic, organic event: the presence of electronics in music still extends to us the expectation that something will be done to make things new. Where electronics predominate, it implies something outside of the human experience \u2013 possibly transcendental (new age), ecstatic (techno), cathartic (noise) or a kind of negative dialectic of entertainment (industrial). As a genre, industrial music has typically become more post-industrial, revelling in entropy and decay in a sort of romantic or nihilistic (same diff) reverie. Deison\u2019s&nbsp;<em><a href=\"https:\/\/dissipatio.bandcamp.com\/album\/magnetic-debris-vol-1-2\">Magnetic Debris vol. 1 &amp; 2<\/a><\/em>&nbsp;isn\u2019t industrial, but it does make that common use of decayed tech, a romance of ruins. The fourteen tracks are composed mostly from old media and found sounds: aged cassettes, broken records and elettromagnetic interference. At first, the resulting pieces seemed inert, smoothing away the interesting details that may be found in the material. On repeated listening, however, each piece revealed a compositional depth and character that showed&nbsp;<em>Magnetic Debris<\/em>&nbsp;was not an exercise in documentation, but a restrictive means to an end in producing music that rewards subjective consideration. (<a href=\"http:\/\/www.cookylamoo.com\/boringlikeadrill\/2022\/07\/whats-new-remixes-fluxus-drones-industry-potatoes.html?fbclid=IwAR0CFCwi4AJWucKdpLBRe6BklbzULhGno592ztZU9zYANS8UAW6p-yhB7xc\" target=\"_blank\" rel=\"noreferrer noopener\">LINK<\/a>)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"magnetic-debris-su-ver-sacrum\">MAGNETIC DEBRIS  SU BLOW UP<\/h4>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"761\" height=\"1024\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/02\/BLOWUP_magnetic-761x1024.jpg\" alt=\"\" class=\"wp-image-1132\" style=\"width:571px;height:768px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/02\/BLOWUP_magnetic-761x1024.jpg 761w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/02\/BLOWUP_magnetic-223x300.jpg 223w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/02\/BLOWUP_magnetic-768x1033.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/02\/BLOWUP_magnetic-1142x1536.jpg 1142w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/02\/BLOWUP_magnetic.jpg 1522w\" sizes=\"(max-width: 761px) 100vw, 761px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"magnetic-debris-su-ver-sacrum\">MAGNETIC DEBRIS  SU ROCKERILLA<\/h4>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"1024\" src=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/03\/Rockerilla-Magnetic499-699x1024.jpg\" alt=\"\" class=\"wp-image-1157\" style=\"width:524px;height:768px\" srcset=\"https:\/\/www.deison.net\/wp-content\/uploads\/2022\/03\/Rockerilla-Magnetic499-699x1024.jpg 699w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/03\/Rockerilla-Magnetic499-205x300.jpg 205w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/03\/Rockerilla-Magnetic499-768x1126.jpg 768w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/03\/Rockerilla-Magnetic499-1048x1536.jpg 1048w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/03\/Rockerilla-Magnetic499-1397x2048.jpg 1397w, https:\/\/www.deison.net\/wp-content\/uploads\/2022\/03\/Rockerilla-Magnetic499-scaled.jpg 1747w\" sizes=\"(max-width: 699px) 100vw, 699px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>DEISON (2CD, Dissipatio, 2022) Magnetic Debris vol.1 &amp; 2 by Deison Tracklist 1 Here Echo2 Nothing Is Real3 Hidden Light4 Object 675 Reverso6 Magnetique7 Black Tape8 Memory Loss9 A Missing Dynamic Behaviour10 Interno Camera d\u2019Aria11 Magneto Pause12 Interior Wreckage13 Dust Particles14 Detrito Finale \u201cMagnetic Debris\u201d is a collection of audio works mainly based on the&hellip;&nbsp;<a href=\"https:\/\/www.deison.net\/index.php\/magnetic-debris-vol-1-2\/\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">Magnetic Debris vol. 1 &#038; 2<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-1100","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/1100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/comments?post=1100"}],"version-history":[{"count":17,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/1100\/revisions"}],"predecessor-version":[{"id":1715,"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/pages\/1100\/revisions\/1715"}],"wp:attachment":[{"href":"https:\/\/www.deison.net\/index.php\/wp-json\/wp\/v2\/media?parent=1100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}